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A very well written article and one I can understand. However it should probably be called "The Prison that was Color Transparency" as color negative shooters have had to provide their own colour interpretation from day one.
As Tony Kuyper has pointed out though, there are a lot of transparency shooters and even some velvia shooters that are making full use of photoshop in a way that you could only really do with dye transfer pre computer age.
Velvia is as much of a distortion as most peoples post processing and if Film was a prison then the saturation slider is the t
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