Washing Ashore
by Jim Salge
A trip to Rye Beach last night yeilded a lackluster sunset, so I turned to experimentation. This driftwood was just beginning to become lapped by the incoming tide, and I timed this so that it was dry for most of the scene. The seaweed, log and rocks therefore are mainly sharp before a wave crashed over them with about a second to go.
I'm struggling with the color of this...after sunset, this is warmed up significantly in Raw...and it's still blue. Does the cast work?
All thoughts appreciated...
Canon 20D w/Sigma 18-200
10 Seconds @ F14
ISO 100
Polarizer
2 Stop GND
Cropped to 4x5
Comments
18 comments- Dan.
My main recommendation though is to crop out the sky and keep everything just below the horizon. To be perfectly honest, I don't like the sky one bit, and I feel that it detracts significantly from the mood that the FG creates...
John
Chris
Ed
I love this. You're timing and planning came out just right and I like that there's enough definition left in the wave line. The line of the log is very well placed and the misty look over it is nice and almost mysterious. My only nit is not the sky, but the land mass on the horizon to the right. While it's not distracting, it keeps this from being in the category of "minimalistic," which we seem to be on a kick lately.
Nicely crafted and executed.
Lon
Thanks all for your comments. I think I will take what all have said, and try a few crops that focus more on the water. I did take off a bit from the bottom when I cropped it, so there may be another shot in there. Consider the barrel distortion gone as well. I'm against cloning the shoreline on principal, but I agree with the sentiments, and when I try more of these, I'll frame it more effectively!
Glad everyone found beauty in this suble yet dynamic shot!!!