Great Egret
by Richard Ditch
Great Egret (Ardea alba)
Place: Gilbert Water Ranch, AZ, USA
Date: September 18, 2009
Equipment: Nikon D200, Nikkor AF-S 300/2.8 & TC20E (2x), G1325, RRS BH-55, Sidekick
Exposure: aperture priority matrix meter, ISO 400, 1/1250th @ f/5.6
Raw, PS CS3 on Mac G4, 80% of frame
A late afternoon image for a change while on my way to an anticipated egret fly-in that never materialized.
Honest critiques requested; all comments appreciated. I hope you will view the larger version for critical evaluation.
Comments
20 commentsVery nice image. The perch and background add a lot of interest. There appears to be a very slight yellow/green cast to the egret. I downloaded the larger version, put a threshold adjustment layer on it and set a white point. Then using that point, used the white eyedropper from a curves adjustment to set the white point. The curve added just a bit of blue to compensate for the yellow. For me it helps. You may have wanted the warmer yellow tone since it was late afternoon.
cheers
Rob
Thanks, Keith.
Yes, I've purposely kept the white balance from the raw file here to show the hint of warmth in the late afternoon light. After all, that's one of the reasons we shoot early and late in the day.
I think the hint of green is likely reflection from the tamarisk, and I suppose I could have compensated on the green-magenta scale a little to address that.
At times I will use the whitepoint eyedropper in Adobe Camera Raw if the image looks strangely off color. This happens when I took photos near the west side of my house where there's a lot of green canopy from a large mesquite that colors the light, plus a strange yellow from reflected light bouncing off the stucco exterior. I need to neutralize that and the best way is with the WP eyedropper.
If I forget to do that in raw conversion I will do as you describe, but using a Levels layer rather than a Curves layer for it. Then I'll toggle the adjustment layer on and off to compare the two, and often will then reduce the opacity of the adjustment layer to get something inbetween neutral and original.
May
I don't think the light ever gets better than this. The whites on the egret are wonderful too.
When I look at this image several words popped into my head, I shall list them:
Sublime
Elegant
Regal
Dignified
The warm, late afternoon light created wonderful shadows and a great 3d effect on the bird. The background is very complimentary and helps to add even more dimension. I would not change the wb on this, we shoot early morning & late afternoon to get that warm light.
A beautiful, simple and appealing image done with your usual expertise.