Together as One
by Lon Overacker
Time to give the water abstracts a rest. Thank you so much for all your comments. Now, back to your regularly scheduled program on trees....
I think I could be happy only being able to explore Yosemite for the rest of my life. Sure, if I had the means and opportunity I would love to see and photograph all the beautiful places around the world. But alas, I'll settle for home.
This image was captured during the same trip as all the recently posted images. My friend Kyle (perpetual Lurker!) and stopped at this area of burned out and dead pines along the Northside drive in Yosemite Valley. Even though I shoot with color transparency, I knew this was going to be a b&w image. Finding a comp proved quite difficult as I wandered this place for a good hour before capturing this. The color version is pretty un-impressive, but fortunately I think the b&w processing helped this out a lot.
Would love to hear your thoughts on this one. Both in subject matter and processing. I'm kinda unsure about the cluster of smaller branches at the center and wondering if they're a distraction or if they fit in the overall scheme of the image.
4x5, Nikkor 300mm, V100, f/45 @ 1/2s
Thanks folks!
Lon
Comments
25 comments- Dan.
Daniel
Really nice composition, I like how you isolated the elements in the photo and how everything works together for a very nice result. The B&W conversion seems excellent too.
I really like it!
Chris
Nick Bristol
Lone Rock, Wi
Matt - Good call. Don't have time to re-work this, but will definitely keep that in my back pocket for the next processing go'round.
Vance - thanks very much for the kind words. I guess we'll just have to agree to disagree on the two images.
Paul - I would never have considered this scene for color work - even though I only have color positive film. I figured the color version would be bad - and it is. The highlights are pretty much washed out and the background is a mix of green, brown and gray. The b&w turned those colors in to a neutral background and the highlights just made for a nice tonal range for b&w. As far as compression goes, I don't recall, but for the large version I probably had to use a 60 in the save for web dialogue. The other secret is NOT to use the full 1200px - this one is 1050.
Oh, and I use and recommend Tony's sharpening actions. They're basically an automated version of the Adamus method with actions allowing you to input the first and final image sizes. Another one of Tony's great actions!
Thanks everyone!
Lon
Funnily enough, I took a very similar pic a few months ago in that gorge where I've been spending a lot of time recently - and also ended up converting to mono. I may put that one up next...
Pure art Lon, pure art.
Love it.