Skyline Bison
by Lon Sharp
This image from a couple of months ago has intrigued me for some of the problems it represents. First, bison are huge light sponges and exposing them against a bright background is always fraught with peril. I liked the way this exposure turned out for me in that way, by bringing sky and bison closer together with two small curves adjustments. A more interesting problem was with my framing. This represents some crop from the right and a bit from the bottom. Center-point of this was probably the bison's right eye, using my central focus point. A general rule of thumb approach would have been to crop from the left and leave him room to virtually "step into." Instead I chose to crowd his feet even more on the bottom and take the crop on the right, which I feel/hope gives a feeling from this lens perspective that he is about to step off that hilltop, out of the frame and into the space of the viewer. In other words I am hoping it makes for a stronger sense of a looming presence.
So, the feedback I am asking for is whether that works or does the framing feel wrong? I appreciate your reactions!
Nikon D3s, 200-400 @200, iso 400, f4 1/250.
Comments
19 commentsI really like seeing the Bison against the sky. The clouds make it work and impart a sense of vastness of space coupled with the "looming presence" that you were after. The grasses are also wonderful. Very strong photo!
I am sure you played with this a hundered different ways and that this is the best. I do wonder if taking just a little more off the right and selectively brightening the face would make this even more powerful.
Excellent!
Peter
The B&W photographer inside me, who still survives, insists that you should burn down the top end and right side of the frame.
Jagdeep Rajput
I like the comp as posted, just a bit more bottom is all..
Love the head on POV, this big boy means business
Well done Lon!