M&N - 1st Place Winner
by Shane McDermott
Kosmic Cliff Dwelling
I have tried twice before to capture this image, but to no avail both times. Once due to weather, and once, I just messed up the lighting. There where three light sources used to create this image.
This is a single exposure, no blends.
1. 25% waxing moon to illuminate the canyon.
2. One coleman lantern in the Kiva
3. One SB 900 strategically fired 12 times. Mostly to create the textured side lighting.
Nikon D3s
ISO 3200
14-24 f 2.8
Rick Goldwasser has offered invaluable suggestions to help me get the image to this point, but I would like to know if there are any other suggestions or critiques.
Thanks for commenting.
Shane
Comments
47 commentsA very minor point would be to perhaps burn down the brightest area of the overhang on the left to more closely match the rest.
Is this a single exposure?
Regardless, this was nearly flawlessly executed and the resuls are simply superb!
Thanks for the suggestion, I will give it a try and see what it looks like. Yes this is a single exposure, it took me about 20 gos to get the lighting right. During each 25 exposure I was running around the kive popping the flash trying to get it illuminated evenly.
Thanks for your complements.
Shane
Thanks for the comment. No, I didn't stay there overnight, I hiked out and drove to double arch in Arches and got a really cool shot of the milky way directly over double arch. I will post it next. Hope you are doing well.
Shane
aF
Yes, I used a yellow warming gel over the SB 900. Regarding the illuminated cliff? I really thought that was going to be the shot breaker, knowing there would be no way to light it. I think this speaks highly of the technology we are playing with these days. I can't get over how much light the D3s picks up at night with very little moon light. All I can assume is that the sensor was picking up some reflected light off of the cliff from which the Kiva lives. That, and just ambient light from the shutter being open for 25 secs. Can't explain it beyond that, just glad there was detail to extract. The one thing I am watching closely during starlight captures is that the shadows don't plug on the histogram - there was a thin space on the left side of the histogram, so I knew there was detail to bring out.
Thanks for the comment.
This is really a treat. I like your vision on this one and how you have developed this. The placement of the moon on the ridgepoint is nice.
On the horizon sky in the darker shadowed sky below the cloud to the left of the distant buttes, there seems to be some lens flare? or a brighter patch in the sky's shadow.
I like how the darker part in the ulc accentuates the curve of the cave opening. Wonder if a slight burn in the extreme urc would do the same.
Doug
I like your suggestion to balance out the color temps within the chamber, it would seem more natural perhaps. I will play with warming the moon orb as well. Thanks for your suggestions, I appreciate it.
Shane
Thanks for your comments. You are right about the bit of lens flare. It was bothering me but I wanted to see if anyone else had an issue with it. Now I guess I have to change it. It would definitely become more of an issue in a larger print for sure. I will also explore adding a bit of a vignette in the URC.
Thanks for your comments.
Thanks for the comments. I was hoping someone would share their interpretation and imaginings of the scene. What this invoked for you, was exactly what inspired me to create it, and exactly what I hoped viewers would imagine. The creative cycle completes itself with this sort of confirmation - that's awesome! I was really trying to give a sense of ceremony to this scene, and that there was an actual fire in the kiva, and perhaps fire torches hanging from the walls.
Thanks for sharing your thoughts.
Sandy
Thanks for pointing out the sharpening issues on the LRC. Before I print it, I will look at that more closely.
Shane
Sandy
D&L