The Conquerer of the Obstacle Course
I captured this "enviroscape" of this Spirit Bear during my autumn photo tour into the Great Bear Rainforest. A bit of a complicated composition, and one of those shots that I initially was lukewarm on but is now growing on me. The light rain softened the light quite nicely. The shot nicely shows why the preferred strategy for photographing these rare bears is to sit and wait for them to come to you, rather than trying to follow them through the forest!
Subject: Spirit Bear (
Urus americana kermodei) negotiating tough terrain
Location: Great Bear Rainforest, BC, Canada
Camera: Nikon D3s
Lens: Nikkor 400mm f2.8 VRII lens. Hand-held with VR on.
Exposure: 1/500s @ f5; ISO 3600. No compensation from matrix-metered exposure setting.
Crop: Cropped from horizontal (full frame vertically)
I recently used this shot on my website to introduce a discussion on some of the issues with capturing "enviroscapes". Anyone who's interested can find the discussion right here (just click on the "In the Field" tab below the image to reveal the discussion).
http://www.naturalart.ca/galleries/mammals/bears/detail_18.html.
Comments and critiques welcomed - probably best to view the larger version prior to doing so!
Cheers...thanks for looking...
Brad
Comments
18 commentsSweet Image. I do enjoy the Environment included Very Much. Nice positioning & some paw action make the image more powerful. The moss covered converging logs also add.
TFS
Bill
Cool shot (as usual), Brad.
Thanks for sharing.
Neil
Gary.
Ron Huff
Thanks for the feedback. Looks like this one is growing on a few others too!
A few responses to questions posed above:
1. Gary, you asked: " I am assuming the lighting on the bear was post processed?"
I did do some exposure adjustments to the image, but most were directed at reducing the glare off the wet logs and taming the reflections in the creek water. I did do a little tone-mapping and mid-tone tweaking to the front side of the bear to bring back some of the white-on-white nuances in the facial and foreleg regions. The lighting on the back of the bear is mostly untouched and reflects what I saw in the field quite well (as well as I can remember).
2. Anand - you asked a bunch of questions, so...
The bear was headed almost directly at me on the lower log. I anticipated that it actually was going to go down into the creek and go UNDER the upper log, and I was quite surprised when it started climbing the large log spanning the image. I captured the whole sequence as it climbed up and over the log, and this one is my favourite of the batch (largely because of the slightly lowered and turned head, the light on the bear, and that raised left front paw). Following this shot the bear descended back onto the lower log and entered the creek and continued looking for salmon. Oh...and the large upper log - it's spanning the entire creek and is just supported on either end by the creek bank...
Cheers...
Brad
I like the sense of balance in the frame, but one thing I would like to know from you, that how do you feel about tree trunk dividing the frame in the middle.
Jagdeep Rajput
Thanks for your comment. And, regarding your question "...how do you feel about tree trunk dividing the frame in the middle?"
I have mixed feelings about it. As a shot showing the animal within its preferred habitat I think it adds a lot in terms of conveying the "nature" of the Great Bear Rainforest. That's a very big bear...but it seems almost "small" in comparison to the size of those logs. And that log certainly helps convey the "foreboding" nature of the forest - imagine trying to work your way up that stream (it certainly isn't the only log to climb over)! Watching the bear almost effortless climb over all obstacles in its path as tho' they were just toothpicks certainly increased my respect for their physical prowess (and reminded me how physically wimpy we humans are!).
In purely artistic or graphic terms...I would argue that the "stubby" horizontal log crossing the frame is too heavy visually and dominates the frame a bit too much. But little I could do with it in the field or during post-processing. I guess it is what it is! And, I mentioned above that I was only lukewarm about the image at first - the main reason for that WAS the large horizontal log...
I hope that makes some sense to you.
Cheers...
Brad
Ken Archer
Jagdeep Rajput