The Perch
I captured this image of an adult Bald Eagle perched in a beautiful moss-laden tree along a coastal shoreline during my 2012
"Aquatic Mammals of the Central Pacific Coast" photo tour. To me it was just a wonderful "animalscape" scene (and - I hope - image) that captured the "essence" of that spectacular region. Of course, the leader of the tour chastised me for photographing a "measly" eagle when on a MAMMAL photo tour, but I can live with that (I'm kidding of course - I was the leader of the tour).
I'm cognizant of the fact that 'scapes (landscapes or animalscapes) like these almost never come across well online - to show the rich detail that makes such shots work, you need to see them BIG, and often these means "as a print". Some of the newer uber high-res displays (such as the "Retina Display" on an increasing number of Apple devices) DO help showcase 'scapes, but then you have to make a real high res image available and you run the risk of it being "borrowed" for nefarious purposes! Right now I'm kinda cringing at how the thumbnail of this image will appear - this may be my first image post that ends up with ZERO views!
Subject: Bald Eagle (
Haliaeetus leucocephalus) high in moss- and lichen-laden tree
Location: Northern Vancouver Island, BC, Canada
Camera: Nikon D4
Lens: Nikkor 400mm f2.8 VR - hand-held from sailboat. VR on and in "Normal" mode.
Exposure: 1/400s @ f6.3; ISO 220. -0.67 stop compensation from matrix-metered exposure setting.
Crop: Very, very minor - this is about 98% of full-framed image
As always, way more info about this image (including more image capture and post processing details) is available for this image on my website, in this case right here:
http://www.naturalart.ca/galleries/latest.
There's also a higher resolution version of the image (2400 pixels) at the same URL that showcases the image a little better (the link to the high-res version is "hidden" under the "In the Field" tab under the image).
Comments and critiques welcomed - probably best to view the larger version prior to doing so!
Cheers...
Brad
Comments
10 commentsDarn...was going for a negative record on the views and you spoiled it!
Agreed that even the 2400 pixel version doesn't give the full detail of this image. But you should see the full 4928 pixel version - delectable detail, right down to the eye of the bird...and the tree is wonderful!
You know, as we go more and more towards electronic displays being the main means of showcasing images, I wonder if shooting style (or cropping) is starting to be affected - i.e., folks shifting toward closer views and/or crops just because they appear better online.
One "tragedy" of this is that if one knows what they are doing behind a computer, you can make a pretty "iffy" image look good at 720 (or 1200) pixels - and it can lead to sloppy shooting. I have heard many folks say "Awww, it doesn't matter if it's sharp at full resolution and 100% magnification because no one will see it that way..."
Just food for thought...
Brad
I think this is an image that can be revisited several times and each time you'll see something you didn't spot before.
Thanks for the feedback - definitely appreciated. And I WAS kidding about getting zero views - I didn't expect that. And I won't hesitate to post 'scapes in the future. A few specific responses:
1. To John: You say "Dare I call it a Bateman image?" I consider that a big compliment - so thank you. Ironically, Bateman lives quite close to where this shot was taken - under 100 km away! You know tho', while I've always super appreciated Bateman's technical skill - he's almost like a "human camera" - his images have almost photographic detail. Personally I prefer my wildlife art (i.e, paintings) to be a bit more interpretive and have always thought Bateman should just give in and become a photographer! It's obvious many of his paintings are from photos - the backgrounds and bokeh (and DoF!) in them are characteristic of a long telephoto lens, and not how our eye sees scenes (our brain filters out background detail differently than a long lens shot wide open, which is at best a "proxy" for how our eye-brain filtering system works).
BTW...to those who don't know, Robert Bateman is probably Canada's most famous wildlife artist and definitely has some international notoriety (in a positive way).
2. To Gary: On your comment about why no water below: I see your point, but the reality is that it was low tide and what was below the rocks was a wave-cut bench (more rocks), and in ugly light. It was more of a distraction than an asset. While we're now talking about a theoretical image and scene that doesn't/didn't exist, I THINK (but don't know) that if there WAS water down there, the inclusion of it might have been adding one element too many to the composition...you know me...always leaning toward simple compositions.
One last thing: I fully recognize that different photographers have different goals and definitely a "different eye". While I do appreciate the challenges of capturing "full frame" (tightly cropped) and technically sound images of wildlife (including both furry and feathery ones), to me wildlife photography is about so much more than just getting close to your subject. I personally derive more satisfaction from capturing images that are slightly "out of the box" or uncommon, be they 'scapes like this one, or under very tricky lighting and often contrasty conditions (like my last owl post) - which often end up being dark, moody shots. But I know this style - if you can even call it that - definitely doesn't work for everyone...which is what makes photography so much fun...different strokes for different folks! But it's very gratifying that many on NPN can appreciate a variety of styles! Thanks!
Cheers...
Brad
PS: Absolutely no intent to devalue any "other" image style with my comments above...just trying to express my appreciation for OTHER's appreciation for a diversity of styles...but I may have expressed it poorly...I guess I'm kinda showing my Canadian-ness with this PS!
A Beauty Brad!!!
Ken Archer