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Lake Louise
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Lake Louise

by Rick Turner

Gallery: LandscapePosted July 26, 2013148 views7 comments
The impressive vista found on Lake Louise varies from clear blue glacier water to falling avalanches on the far peaks. Just before this capture a thunderous avalanche roared as the snow and ice rained downed the upper middle left of frame.
Sony a 900
24-50 mm Minolta f2.8 zoom at 28mm
ISO 200
f22 @ 1/90 second
tripod
:wavey:
Lightroom 5 raw and b&w conversion
PS5 corrections and

Please view larger image :jump:

Comments

7 comments
Comment posted by Johan Eickmeyer on July 26, 2013 at 4:58 PM
I love the details in this shot when viewed large. I think it could be even more awesomer (TM) if the water was darker or cropped out of the frame. :cool:

I'm curious as to why f22 and ISO 200 were used for this shot?

Thanks for posting, Rick! :toast:
Registered on March 25, 2013, 36 Posts, 164 Comments
Comment posted by Rick Turner on July 26, 2013 at 6:59 PM
Johan,
thanks for your comment. The question on f22 and ISO 200 kinda of zinged over my head but;
1. f22 on my Minolta 24-50 zoom is the sweet spot for depth with the lens and I wanted foreground to background in focus.
2. ISO 200 was a neutral choice and i had a cpl on the lens making it ISO 100 as far as sensitivity goes.
3. The water and the canoeists in left frame give a size perspective I rather like.

thanks for commenting........ :eek:
Registered on February 18, 2012, 534 Posts, 2755 Comments
Comment posted by Rick Turner on July 26, 2013 at 8:57 PM
John, I bought this Minolta lens in 1975 which is before your were born most likely. I have tested it and for the depth of field issue I wanted in this shot f 22 was the sweet spot.
I have been shooting professionally since 1972 and do know a thing or two. You seen to be snarky at times.
Stop sweating the diffraction issue and use whatever f-stop it takes to get the effect you desire. What benefit do you get by using the "sharpest" aperture when half of your pictures is out of focus because the DOF wasn't what you needed. Or controversy, if you want to isolate your subject and need a large aperture. The best or sharpest aperture is a theoretical value that is pretty useless in real-life shooting situations.
Registered on February 18, 2012, 534 Posts, 2755 Comments
Comment posted by Daniel Rappaport on July 27, 2013 at 3:18 AM
Well composed, beautiful range of tones. Anything darker in the foreground would have just mushed in with the far shore.
Registered on September 9, 2009, 294 Posts, 2006 Comments
Comment posted by Bill Reid on July 27, 2013 at 9:29 PM
Nicely processed B&W Rick. I like the tones and detail in this. Also a lot of nice detail in the larger version. Well done.
Registered on January 27, 2013, 65 Posts, 2460 Comments
Comment posted by Howard Cheek on July 28, 2013 at 10:05 AM
I like this as posted Rick, the pano comp works very well.
Especially like the large 'V' leading lines that lead the eye, & point the way :smile:
Well done! :toast:
Registered on July 24, 2008, 1201 Posts, 10758 Comments
Comment posted by Morris McClung on July 28, 2013 at 10:52 AM
A majestic view, and I like your conversion. Your pano works great with this view as well. Nicely done.
Registered on May 7, 2007, 670 Posts, 19650 Comments