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Cool Morning Revisited
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Cool Morning Revisited

by Peter Cross

Gallery: WildlifePosted January 14, 201497 views3 comments
This photo was taken in almost exactly the same place as my first one of this title. Same buck, same photographer, almost the same place. About 50' to the left for the buck and 20' for me in the same direction. But a different perspective and less backlighting and sunbeams. But still a pleasing image. A few tweaks to try for more contrast and pop and cloned out some bright spots showing through the BG vegetation that distracted the eye. Your comments and critiques would be appreciated.

Tech Info

Canon EOS 60D with EF 70-200mm f/4L at 200mm
1/200th at f/4.0 and ISO 800
Tripod
Lightroom 5

Comments

3 comments
Comment posted by John Tobias on January 16, 2014 at 8:19 AM
Peter, I like this one better than the first and that one was good! I think there is more detail in the deer, less distracting BG and FG. The breath of air helps to make this a pleasing image, IMHO. Thanks for sharing.
Registered on September 12, 2009, 2120 Posts, 6455 Comments
Comment posted by Chris Brookhart on January 17, 2014 at 6:09 PM
I love the steam from his breath, that makes the photo for me. The bright foreground is a bit distracting for me personally, I might think about burning the FG. Nice image Peter!
Registered on January 29, 2010, 10 Posts, 36 Comments
Comment posted by Brad Hill on January 19, 2014 at 9:34 AM
Hey Peter,

I have an experiment to suggest for you. Take this image and sequentially pull back the exposure by 1 stop, 1.5 stops, and 2 stops. I think you'll be surprised by what you see...as presented I think this image is REALLY over-exposed and there's beauty here just waiting to be revealed.

The absolute first thing I do with ANY image (i.e., step 1 in raw conversion) is something I call "exploring the exposure". Before touching ANYTHING, simply grab the exposure adjustment and slowly pull the slider - take it back all the way to about -1.5 stops. Do the same thing on the positive end - all the time thinking about how the various bits of background and foreground look, how the subject looks, how various parts of the subject looks (e.g., in this image you can find some sweet lighting on the antlers when you pull the exposure back). Store all that info in your brain (e.g., "background and antlers should come back 1.2 stops, foreground should come back 1 stop, etc."). Then your task is to selectively adjust the exposure to match (which can be done in a number of different ways). This approach works real well in when trying to return scene back to how it appeared in the field (our cameras rarely get it too close to how it was by "default"), but also can be used to take the image to new levels of creativity (if you so choose).

Cheers...

Brad
Registered on May 29, 2007, 431 Posts, 6061 Comments