So. Sister & Sparks +3
by Marylynne Diggs
Hi Folks,
Here is a picture of South Sister from Sparks Lake. This was a mid-summer day tourist trip more than anything, but I did get a few interesting images.
Canon 5Dm3 with 24-105mm at 70mm
ISO 125, f/8, 1/160s
Silver Efex with some pre and post Nik work in LR
As usual, I'm eager for comments, feedback, suggestions, and yawns of ennui.
ML
Comments
15 commentsA fine b&w landscape. In fact, I'm guessing the b&w is more effective than color, given the "mid-summer day" conditions and light. So I think you made a good choice here. I really like the grouping of pines to create the near-far composition. You did well including just enough sky for comfort, but since there's no clouds you don't need any more sky.
As far as processing, hard to suggest anything different than what you have. I suppose you could selective burn down some areas, like the shoreline beneath the group of trees. the only nit I have really is the outcropping at the bottom left. It's one of those times when I either want to see more of it, or none at all. Although I really like the s-curve of the shoreline at the bottom, the outcropping takes away from it. Cropping the bottom might work, but you'd lose the gentle curve.
Lon
I am a big proponent of TK's masks and I suggest that you check them out. Tony has extensive tutorials for using them in Photo Shop. I actually find them easier to use and more effective than the Nik Control points.
--P
I am going to go back to the drawing board with this in a minute since I do have more outcropping to include (as you can see from the color), so the question becomes whether to get rid of the outcropping in the foreground or add back in. You would think I would at some point learn the lesson about saving crop for last when doing b/w conversions, but alas, I have not.
Of course, I'm enjoying playing with the options, so any time enjoyed is time well spent, in my mind. It beats the heck out of grading papers--that's for sure.
Let me know which crop you think you prefer.
ML
Holler if this seems like a better comp in bw or color.
ML
I like the B&W repost, but I prefer the crop in the color version. I think showing more of the rocky outcrop and the stones in the water act as a nice lead in. In looking at the color version, I see that the rock at the top is darker, and that darkness was accentuated in the B&W.
Sure looks like a fine place to spend a summer day!
--P
Nick Bristol
Lone Rock, WI.
It takes a village, as they say:
ML
I think your latest post takes care of all the feedback. The added real estate at the bottom makes a big difference (amazing how just a little crop can alter an image.) The added contrast works as well. The color version is quite nice, but in the end as I had commented, is a color image, mid-day and won't garner much more than, "nice image." The final b&w is the ticket. thanks for taking the time.
Lon
Igor: It might take some careful footing some times of year, but this was September, and I was on very dry land, albeit a narrow section of lakeside bank.
I look forward to going back, maybe camping, so I can get better times of day. BTW, I am not one of those folks who uses BW to compensate for bad light. I have been seeing images in b/w of late and the medium is improving my composition skills in my opinion. It is a nice side effect that black and white allows me to use images shot with friends at what they consider more civilized hours of the day.
I find this to be an interesting subject. Do we really see in b/w? I've read several books that state that they do see the world that way. I thought I saw in b/w for years. Now I think that I saw color but largely ignored it. I find that it takes more effort to compose in color because it takes effort to consider what it adds to the composition. For me it takes greater effort to bring about a good color composition but it's rewarding when you pull it off.
Yeah, I guess I can't say I truly see in black and white, but what I see in color I can't help but imagine in black and white (both in the field and when processing). It definitely feels more elementary (or fundamental?) in that there are fewer variables to consider. It has changed my color photography primarily in that I seem incapable of dealing with the big scene in color. It's too overwhelming. I tend to go abstract instead.
Interesting discussion, eh?
ML
I too need to think in BW more. My eye tends to work much more naturally with color, so I'm hoping it's a learnable skill