Posted by Mark Hudon on August 13, 2006 at 2:38 PM
Neal Creek Mill
D2x
f/14 @1/20 sec
70-200 @ 70mm
Just out looking for shapes, colors and texture today. Life is way to short to restrict my enjoyment of photography to only landscapes. I've decided. I'm going to try to change my "seeing" of scenes and comps to include all sorts of things.
Posted by Harald Rust on August 13, 2006 at 3:06 PM
Interesting textures and graphical composition. Evokes a feeling of abandoment, and the angled shape implies tension. The lighter pastel color adds optimism. At least that's how it feels to me.
Harald
Posted by Rick Lundh on August 13, 2006 at 9:53 PM
You know Mark, dont know if this would sell in the NW must, but I like it and it actually reminds me of a gallery showing in NY. Can't remember the artist but it was last fall as I was meandering around the big apple. I also remember seeing lots of price tags around the $2500 mark. I think this would compliment your recent images of similar subject matter.
I totally agree with not limiting your artistic avenues. You can still have a fav...but if your mind is directing you to move out in different directions, the worst thing you could do is to ignore it. I like to see this natural progression in you...
Posted by Ned Fenimore on August 14, 2006 at 12:23 AM
This turned out pretty cool, Mark.. I like how the odd, strange elements of the old building work together..
Posted by Lynne Tyler on August 14, 2006 at 7:10 PM
Mark, Nice post. I enjoy finding something like this when i'm out looking for something completely different. I like the balance in the different elements of this comp.
Discussion
5 repliesD2x
f/14 @1/20 sec
70-200 @ 70mm
Just out looking for shapes, colors and texture today. Life is way to short to restrict my enjoyment of photography to only landscapes. I've decided. I'm going to try to change my "seeing" of scenes and comps to include all sorts of things.
Harald
I totally agree with not limiting your artistic avenues. You can still have a fav...but if your mind is directing you to move out in different directions, the worst thing you could do is to ignore it. I like to see this natural progression in you...
Lynne