Image sensor: 21 megapixel FF CMOS
File format: RAW (5616 x 3744 pixels, .Cr2 files), sRAW, JPEG
Viewfinder : 0.75x, 100% coverage
Autofocus : 19 cross-type AF areas (the same of the 1D Mark III)
Metering modes: 63-zone TTL full aperture metering. Evaluative, Partial, Spot, Centerweighted
Metering range: EV 0 to 20
Sensitivity: ISO 100–1600 (in 1/3 stop increments), ISO 50 - 3200 in expanded mode
Shutter speeds: 30" - 1/8000, x-sync 1/250
Continuous shooting speed : 5 FPS for 15 RAW or 45 JPEG
LCD monitor: 3.0", 230.000 px with Live View, 140 degrees viewing angle
Storage: CF and SD cards (it supports even 16GB and larger CFs)
Battery: One dedicated lithium-ion battery LP-E4
Weather sealing: yes
Dimensions (W) x (H) x (D): 156 x 160 x 80 millimeters
Weight (Body only): 1205 grams
Price: 7999 US $
Notes: 14 bit ADC, Digic III, live view, anti-dust, shutter durability 300,000 cicles
Technical Details
Effective resolution: Approximately 21.1 million pixels (total pixels: approximately 21.9 million)
Recording pixels: 5616 x 3744
Sensor type: Full-frame CMOS sensor, with primary R-G-B filtration
Pixel size: 6.4 microns square
Lens focal length factor: None (1x)
Imaging processor: Dual DIGIC III image processors
Maximum frames per second: 5 frames per second (fps) at shutter speeds 1/500 second or faster, in all recording modes
Drive modes: Single; silent (single-frame); high-speed continuous (5 fps; adjustable 5 to 2 fps); low-speed continuous (3 fps; adjustable 4 to 1 fps)
Maximum number of frames / burst: JPEG: 45 (full-resolution, Level-8 fine compression); RAW: 15; RAW plus JPEG: TBA
Flash sync speed: Up to 1/250, with EX-series Speedlites
Shutter "lag" time: Approximately 55 milliseconds (from half-way to fully depressing shutter button)
Start-up time: 0.15 seconds
Image type: JPEG, RAW (14 bit); improved A/D conversion to 14-bit processing for 16,384 individual tones
Highlight tone priority: Improve tonal range in highlight areas by approximately 1 stop (C.Fn II-2)
Noise reduction: Long exposures 1 second and longer (C.Fn II-1); high-speed ISO images (C.Fn II-2)
Storage media: Compatible with two card slots and external storage media; CompactFlash (Type I or II, including MicroDrives); SD card slot (SDHC-compatible for 2GB higher SD cards); USB external hard drives (requires optional WFT-E2A wireless transmitter)
Recording options: Multiple media recording options: record to only one memory card; record the same image to both SD and CF card; record RAW image to a CF card and JPEG image to a SD card
New additional features: Files can be automatically written to another media if card beomes full; select different image sizes and save to different media (example: different JPEG sizes); record same image using all three media options, including external hard drive; copy files manually from one card to another, or to connected USB hard drive
Image format options: JPEG (compression adjustable in 10 steps on menu); RAW ("CR2" RAW file format); RAW + JPEG (selectable on rear LCD panel); sRAW ("CR2" small RAW file format; 1 /4 file size of full-resolution RAW, approximately 5.2 megapixels)
Resolution options: Large: 5616 x 3744 (approximately 21.0 million pixels); "Medium 1": 4992 x 3328 (approximately 16.6 million pixels); "Medium 2": 4080 x 2720 (approximately 11.0 million pixels); "Small": 2784 x 1856 (approximately 5.2 million pixels); "RAW": 5616 x 3744 (approximately 21.0 million pixels); "sRAW": 2784 x 1856 (approximately 5.2 million pixels)
Data recording format: DCF 2.0 and EXIF 2.21; EXIF 2.21--applies "Adobe 1998 RGB" color space tag to images
Sound recording: Maximum 30 seconds per sound clip (more than one clip can be assigned to each image)
Folder settings: Create new folder and select on memory card
3-part approach to dust reduction: EOS Integrated Cleaning System; self-cleaning sensor unit--low pass filter in front of the sensor vibrates at a very high frequency for about four seconds to "shake" off loose dust and dirt; occurs on start-up and shut down--can also be activated by user or totally disabled; Dust Delete Data: a test shot is taken and any dust spots are "mapped" and added to each image's text data; automatic removal possible in Canon DPP software; manual: user can lock up mirror to blow off any dust or have service technician wipe sensor clean
LCD monitor: 3.0-inch (diagonal) TFT color; approximately 100% coverage; approximately 230,000 pixels
Playback options: Single image; single image with info and histogram; 4-index or 9-index image; magnified zoom display
Live View type: Electronic viewing of scene, directly off imaging sensor, on LCD monitor
Coverage: Approximately 100%
Metering: Real-time evaluative metering (off CMOS imaging sensor)
Grid display: Two vertical and two horizontal lines; can be turned on or off by user
Aspect ratio: Masking for 6:6, 3:4, 4:5, 6:7, 10:12, and 5:7
PC live view: Enabled using EOS Utility (v.2.0) (use computer monitor as viewfinder)
Shutter speed range: 30 seconds to 1/8000, plus bulb (1/3, 1/2, or full-stop increments when user-set)
Maximum flash sync speed: 1/250 second
Anticipated shutter durability: 300,000 exposures
ISO range: 100 to 1600, in 1/3-stop increments; ISO 50 and 3200 can be added via ISO extension on menu; new ISO safety shift (camera shifts ISO in Tv or Av mode if needed to preserve exposure)
Exposure modes: Manual, Aperture-priority, Shutter-priority, Program, Bulb
Metering: 63-zone metering linked to 19 AF points; Evaluative metering (63-zone, linked to active AF point); Center-weighted metering; Partial metering (approximately 8.5% of the picture area); Spot metering (approximately 2.4% of the picture area); Options: Center only; linked to any of 19 AF points; and Multi-spot metering up to 8 readings
Metering range: EV 0 to 20 (all patterns; at normal temperatures)
Exposure compensation: Possible in any Auto exposure mode; up to +/- 3 stops, in 1/3-stop increments
Exposure bracketing: 2, 3, 5, or 7 shots (selectable with C.Fn I-6); up to +/- 3 stops, in 1/3-stop increments; Standard Auto bracketing, via aperture and/or shutter speed
Compatible flashes: Canon EX-series Speedlites (TTL flash not possible with non-EX speedlites)
E-TTL II: 63-zone metering with EX-series speedlites; evaluative E-TTL flash metering (can be averaged over all 63 metering zones); distance information now used from compatible Canon EF lenses for flash calculations
Flash metered manual: Possible with flash in Manual mode, via FEL button
Flash exposure lock: 2.4% Spot metering of pre-flash illumination
Flash exposure compensation: Possible on body for certain speedlites (up to +/- 3 stops, in 1/3-stop increments)
Flash exposure bracketing: Possible with 580EX II, 580EX, 550EX, MR-14EX, and MT-24EX (set on Speedlite)
Hi-speed flash speed: Possible with EX-series Speedlites, up to 1/8000 second , normal maximum x-sync is 1/300
PC socket: Standard; sync line voltages up to 250v are OK through PC socket or hot shoe
Number of AF points: 45 (inside of ellipse area of focus screen); 19 high-precision cross-type points (require f2.8 or faster lens for cross-type coverage); 26 assists points (require f5.6 or faster lens)
Number of cross-type points: 19 points--any of these can be user-selected with manual AF point selection (high-precision type points; require a f2.8 or faster lens; center point requires f4 or faster)
Focus modes: One-Shot AF (for stationary subjects); AI Servo AF (for tracking moving subjects)
Manual AF point selection: 19 AF points ( default); inner 9 AF points (via C.Fn III 9-1); outer 9 AF points ( via C.Fn III 9-2)
Automatic AF point selection: Possible in both One-shot and AI Servo AF modes
AF On button: AF button on rear of body executes AF and metering; AE Lock button can switch functions with AF On button via C.Fn IV-2-1
Viewfinder coverage: 100%, vertically and horizontally
Eyepoint: 20 millimeters
Magnification: 0.75x
Focusing screen: Ec-C IV (new standard focusing screen); interchangeable with Ec-series screens from all previous EOS-1 series cameras
Diopter: -3 to +1.0 (user-adjustable); further adjustment possible with Eg series diopter lenses
Mirror lock-up: Possible via C.Fn III-14; new: option to have mirror remain up for multiple pictures, until SET button is pressed
Eyepiece shutter: Built-in; activated by lever to right of eyepiece
White Balance modes: Auto (WB is read off of CMOS imaging sensor only); Pre-set (Daylight, Shade, Cloudy Tungsten, Fluorescent, Flash); Custom (reading taken off 18% gray card or white object; up to 5 custom readings can be stored); Color Temperature (range 2500k to 10,000k; 100k increments); Personal WB settings--PC-1 to PC-5 (up to five, created in computer and uploaded into camera)
White Balance compensation: Alter white balance in amber-blue direction, and/or magenta-green direction +/- 9 levels
White Balance bracketing: Alter White Balance in amber-blue direction or magenta-green direction, up to 15 mireds
Picture Style: Allows user to easily adjust the "look" of JPEG images, or RAW files processed with Canon software; six presets: Standard, Portrait, Landscape, Neutral, Monochrome, Faithful; adjustable settings: Sharpening, Contrast, Color Saturation, and Color Tone
Digital terminal: USB 2.0 Hi-speed (Type B port)
Video output terminal: NTSC/PAL
System extension terminal: 15-pin terminal (connects new wireless file transmitter WFT-E2A)
Remote control terminal: N3-type terminal
Custom functions: 57 Custom Functions (personal functions built into Custom Functions)
My Menu: Up to six menu settings can be stored separately for quick access
Battery: Lightweight LP-E4 lithium-ion battery pack
Battery information: Current power source in use (battery, AC adapter, etc.); remaining capacity (displayed in 1% increments, on camera's LCD monitor); current shutter count on this battery charge; recharge performance (displays when battery should be discarded; 3 levels)
Main switch: Three settings: Off, On, and On with Quick Control Dial active
Camera body exterior material: Magnesium alloy
Chassis material: Magnesium alloy, including mirror box
Operating temperature range: 32 degrees to 113 degrees F (0 degrees to 45 degrees C); 85% or lower relative humidity
Dimensions (W x H x D): 6.1 x 6.2 x 3.1 inches (156 x 160 x 80 millimeters)
Weight (without battery or CF card): 41.3 ounces (1205 grams)
Press Release
The new 21.1-megapixel, full-frame Canon EOS-1Ds Mark III digital SLR camera brings the power of Canon's professional imaging excellence and innovation into sharper focus than ever before. While Canon's EOS-1D series has dominated the 35mm-based professional Digital SLR market for the past six years, the new EOS-1Ds Mark III digital SLR takes Canon's pro-digital prowess into and the realm of high-fashion and commercial photo studios where bulkier, medium-format cameras previously reigned.
The Canon EOS-1Ds Mark III's compact, lighter-weight magnesium alloy body is rugged and versatile enough to take out of the studio and into the field. The camera's fast, five-frame-per-second (fps) shooting rate for bursts of up to 56 Large/Fine (21-megapixel) JPEGS or 12 RAW images is unmatched in its class, making it the ideal instrument for capturing the fluid motion and free-flowing lines of location-based fashion photography as well as a wide range of other professional photographic applications.
Revolutionary Resolution
Developed and manufactured by Canon specifically for the EOS-1Ds Mark III digital SLR, the camera's new full-size 36 x 24-millimeter CMOS image sensor offers the highest resolution in its class and is comprised of approximately 21.1 million effective pixels (5632 x 3750) set at a pitch of 6.4 microns. The user can select any one of six recording formats ranging from 21.0 megapixels in Large JPEG or RAW format, 16.6 or 11.0 megapixels in the two medium JPEG sizes, or 5.2 megapixels in the small JPEG or "sRAW" formats. In any JPEG format, the user can set one of ten compression rates for each image size. In sRAW mode, the number of pixels is reduced to one-fourth that of a standard RAW image and the file size is cut in half, while retaining all of the flexibility and creative possibilities associated with full-size, traditional RAW images.
Dual "DIGIC III" Image Processors
Fulfilling the ultra-low noise, ultra-high image quality promise of the EOS-1Ds Mark III Digital SLR camera requires handling the enormous signal processing requirements of the camera's 21-megapixel resolution and top continuous shooting speed of five fps. To accomplish this, Canon has incorporated two identical DIGIC III imaging engines into the camera for parallel (and hence, faster) signal processing. The CMOS sensor reads out to the dual "DIGIC III" processors simultaneously in eight channels. DIGIC III is the next generation of Canon's proprietary image processing engine. This technology ensures the fine details and natural colors of images are optimally recorded and, as an added bonus, is responsible for the EOS-1Ds Mark III SLR's high-speed performance, faster signal processing, and more efficient energy consumption.
Adding to the improved virtuosity of the images captured by the EOS-1Ds Mark III Digital SLR camera is the camera's 14-bit Analog-to-Digital (A/D) conversion process. Able to recognize 16,384 colors per channel (four times the number of colors recognized by the EOS-1Ds Mark II Digital SLR camera's 12-bit conversion capability), this line-leading model is able to produce images with finer and more accurate gradations of tones and colors. Additionally, given the significantly larger image file sizes created by the EOS-1Ds Mark III Digital SLR camera, Canon has provided compatibility with the new Ultra Direct Memory Access (UDMA) compact flash memory card specification, which enables ultra-high-speed data transfer to the card. Utilizing a UDMA compliant card doubles the data transfer speed compared to a conventional memory card, putting the new EOS-1Ds Mark III on par with the 10.1-megapixel EOS-1D Mark III camera, even though the pixel count of this new model is more than twice as large.
Advanced Autofocus Technology
The EOS-1Ds Mark III autofocus system--first introduced earlier in 2007 on the EOS-1D Mark III Digital SLR--has 45 AF points including 19 high-precision cross-type points and 26 Assist AF points. This new array allows the 19 cross-type points to be divided into groups of nine inner and nine outer focusing points plus a center point, which makes picking an individual focusing point much faster and easier than going through all 45. During manual AF point selection, the AF point area is expandable in two stages via Custom Function control.
At the request of sports and wildlife photographers, a new micro-adjustment feature allows for very fine changes in the AF point of focus for each lens type in use, along with the addition of adjustable focus-tracking sensitivity as another sophisticated new AF feature. Other new components in the AF system include the reconfigured concave submirror and the secondary image formation lens, both products of Canon's vast expertise in optical engineering. Finally, the low-light sensitivity of the new AF sensor has been doubled to EV-1 for superior performance compared with earlier EOS Digital SLRs.
Live View
One of the dynamic innovations incorporated into new EOS Digital SLRs--and optimized for professional shooters on the EOS-1Ds Mark III digital SLR--is Canon's Live View shooting mode, which provides photographers with an expanded and exceedingly convenient set of shooting options beyond the conventional SLR through-the-lens viewing. Framing and shooting subjects using the camera's LCD screen affords the shooter the same 100 percent field of view provided by the optical viewfinder--this is a full-frame Digital SLR after all--but Live View has the added advantage of allowing the image to be more easily composed on the camera's bright and brilliant 230,000-pixel, three-inch LED screen. Additionally, the LCD-viewed image can be magnified by five or ten times in order to ensure that the shot is optimally focused.
Live View is at its best during tripod shooting, particularly for close-up photography where precise focusing is imperative. As a side benefit, the Live View shooting mode helps to reduce vibration by lifting the reflex mirror out of the optical path well in advance of the exposure, improving image quality at slow shutter speeds. Additionally, as the release time lag is miniscule, even instantaneous movements like a bird taking flight can be readily captured. The shutter charge sound can be delayed and made quieter than normal in Live View mode to avoid spooking wildlife or disturbing people nearby with unwanted camera sounds.
If a user is going to be several feet away from the camera, such as in some studio settings, the EOS-1Ds Mark III can be connected by cable to a computer via its USB 2.0 High-Speed interface. The camera can also be operated remotely at distances up to 492 feet with the assistance of the optional Wireless File Transmitter WFT-E2A, which allows users to view images directly off the camera's sensor in virtually real time, with the ability to adjust many camera settings quickly and easily.
Viewing Display
Easy to read, even in outdoor conditions such as bright sunlight, the EOS-1Ds Mark III Digital SLR camera features a three-inch, 230,000-pixel wide-angle LCD display screen. The TFT color liquid-crystal monitor features seven user-settable brightness levels and a wide, 140-degree viewing angle, both horizontally and vertically. An added advantage of the large, three-inch display size is the ability to utilize a larger font size for text, making it easier to read setting and menu options on the screen.
Canon extends its "ease-of-reading" policy to the EOS-1Ds Mark III's viewfinder as well. Bright and clear with zero distortion, a 100 percent picture coverage, and a magnification factor of .75x, it is the finest viewfinder ever placed in an EOS camera.
EOS Integrated Cleaning System
Another first for a professional digital SLR of this caliber is Canon's complete dust management solution, called the EOS Integrated Cleaning System. The new CMOS image sensor is designed with a lightweight infrared absorption glass cover that vibrates for 3.5 seconds when the camera is turned on or off. This brief delay can be cancelled immediately upon start-up by pressing the shutter button half way. Dust that has been shaken or blown loose of the sensor is trapped by adhesive surfaces surrounding the sensor unit housing, preventing the problematic particles from reattaching themselves to the filter when the camera moves.
Like its sibling, the EOS-1D Mark III, the shutter of the EOS-1Ds Mark III Digital SLR camera carries a durability rating of 300,000 cycles and, though it generates less dust, still charges itself three times during the manual cleaning process so that dust is shaken off the shutter curtains as well. This cleaning system uses very little battery power and can be turned off in the custom function menu.
The second part of the dust management system is a software solution that maps the location of any spots that may remain on the sensor. The mapped information is saved as Dust Delete Data and attached to the image file. Subsequently, the offending dust information is subtracted from the final image during post processing, using the supplied Digital Photo Professional software.
Rock Solid Reliability
The entire body of the EOS-1Ds Mark III, including its internal chassis and mirror box, is made of an advanced magnesium alloy for exceptional strength and rigidity. Comprehensive weatherproofing at 76 locations on the camera body ensures superior reliability, even when shooting in harsh environments. Together with the 300,000-cycle shutter durability rating, these features result in a camera that, even though it is six ounces lighter than the EOS-1Ds Mark II, can truly withstand even the most severe shooting conditions.
Improved Software
Among the most valuable features of the EOS-1Ds Mark III Digital SLR is its compatibility with Canon's new Picture Style Editor 1.0 software. With PSE, photographers can personalize the look of their photographs by inputting their own preferred image processing parameters, including custom tone curves. The EOS-1Ds Mark III Digital SLR also ships with the latest versions of Canon's powerful software applications, including Digital Photo Professional 3.2 and EOS Utility 2.2, which support the camera's Remote Live View and Dust Delete Data functions, as well as incorporating a broad range of additional improvements designed to improve image quality and speed up workflow. Particularly noteworthy in DPP 3.2 is a new Lens Aberration Correction Function that corrects various image defects such as chromatic aberration, color blur, vignetting, and distortion. Initially, the Lens Aberration Correction Function will support images captured by the EOS-1Ds Mark III and 11 other EOS Digital SLRs using any of 29 individual EF and EF-S lenses. Also included are ZoomBrowser EX 6.0 and ImageBrowser 6.0 for easy browsing, viewing, printing, and archiving with compatible computer operating systems, including Microsoft Windows Vista and Windows XP, as well as Mac OS X.
Canon EF 14mm f2.8L II USM Lens
Designed primarily for discerning landscape and architectural photographers, the Canon EF14mm f2.8L II USM lens is ideally suited to the EOS-1Ds Mark III's full-frame capability. Measuring 3.7 inches in length and weighing in at under 23 ounces, this ultra-wide angle L-series prime lens is well corrected for rectilinear distortion, provides a 114-degree diagonal angle of view, and delivers high-speed autofocus with higher image quality overall including superior peripheral image quality, compared to its predecessor, the stalwart EF 14mm f2.8L USM lens.
While its large diameter, high-precision aspherical and UD elements, optimized lens element positioning, and flare and ghost-reducing lens coating ensure that this lens delivers the top optical performance in its professional class, Canon has added other features photographers have been asking for--improved dust and water resistance incorporated around the mount, switch panel and focusing ring, and a round aperture that creates a nice background blur and makes it easier to recognize an out-of-focus scene in less than brightly lit conditions. Furthermore, Canon has created a new lens cap specifically for the EF 14mm f2.8L II USM that is held to the lens by a stopper.
Posted by Jim Erhardt on August 19, 2007 at 8:26 AM
Thanks Juza! The really good stuff is always mega-bucks....
Posted by Basil Greber on August 19, 2007 at 8:26 AM
Hi Juza
Is that an official release or did you find this on amazon.com (that's the only place where I've seen this so far)?
Hi Basil,
it is from amazon - but it is way too detailed to be a fake, and Amazon is a serious website :-)
Posted by Kelly Rowe on August 19, 2007 at 12:04 PM
I wonder if it comes with the same AI Servo backfocus problem that my 1D MkIII has... The one that Canon refuses to acknowledge.
Posted by Kah Kit Yoong on August 19, 2007 at 12:07 PM
Too bad my corroded 5D didn't last till the end of the year. I bought a replacement 5D a month ago. I've done some work for Canon currently, noticed there are assignments with pre-models next month or 2.
Posted by Richard Wong on August 19, 2007 at 3:24 PM
Awesome. Unfortunately it is $6,000 too expensive...
Eight-Thousand! Hmmm? For $8K I can get a custom built acoustic guitar that will never be obsolete, and will only get better as it ages. I think I'll do that.
$8K has been the launch price for all previous 1Ds versions.
The good thing about this is the flood of used 1Ds Mk2s hitting the market over the next few months.
Stop global warming... recycle a camera
Posted by Ed Cordes on August 19, 2007 at 10:49 PM
Hummmm! $8K for full frame $4.5 K for 1.3 crop. For these prices I hope Canon fixes the focus problem i certainly will not be the first to beta test the 1DsMK3.
Posted by Jim Goldstein on August 20, 2007 at 3:40 AM
Normally I shy away from gear envy discussions, but the 1Ds Mark III is an attention grabber if not for the resolution, the price. I've been trying to save for this next generation but for that price I may be saving for sometime to come. I agree the flood of 1Ds Mark II's will be quite attractive.
at $8K I know what you mean.. but I wrote this is my blog last night...
Well the King is dead, the 1Ds2 has a successor and its credentials are fair.
Whilst I don't want the 1Ds3, I have a 1Ds2, when the 1Ds3 becomes available I will buy it. I don't really want to buy it as the expected £4.5K ($8K) for the body it is a big ask!
The issue is, that if I don't start shooting with 'the latest and greatest', the agencies may not accept my work as readily as those, of a similar ability, who do have the latest and greatest. This is a completely ignorant act by the agencies; they use the camera as a differentiator as well as your ability. Simply put, but wrongly assumed, Pixels == perception of perfection.
Whats worse, if I don't move within 2 generations of camera time-line, as a nature photographer, I will be very much disadvantaged - the market is that competitive and my comrades are and nearly as good.
This is an artifact of the digital age. Five years ago I was shooting with the cream of the 35mm world, a Nikon F5, it cost £1300, and because a canister supplementary to the camera captured the light, regardless of the camera body technology, if your results where a match with the next person providing you had a similar shot.
Now days there is nothing supplementary about what captures the light, a sensor! Sensor integration means the whole body has to be replaced. Sensors mean wiring; wiring that may (will) be different from release to release hence making backward compatibility a wistful dream and a 'plug in' sensor a mirage. It is more of a computer than a camera!
In this digital age the life span for commercial work of anything computer is, at max, 5 years. I had the F5 for 7 years before I came to the 'light' side and if digital had not happen I would probably still have it as a second body.
I do depreciate my cameras as I do my computers, over 3 years which roughly happens to be their release cycle; a co-incidence? This hits my profits as market prices have not increased since the market went digital (they have decreased via increase competition), but without buying the new camera, within 3 more years, I would not have enough pixels to satisfy the agencies, therefore make any profit, and therefore have no money to buy the next king.
The king is dead, long live the king - (5 years would be nice this time).
Catch 22 and comments about how to avoid it (but stay in the game) would be welcome.
Cheers
T
Posted by Kah Kit Yoong on August 20, 2007 at 11:59 AM
I will also be planning to order one. It certainly has some big advantages over my 5D, except for the price tag. Almost double the megapixels, weather sealing, highlight expansion, dust control, possibly better noise reduction. I prefer to buy early (perhaps wait a couple of months to see if there are any major issues) and use the latest technology for the maximum period of time. Sure, it will come down in price over the next few years, but I will already have those years of use under the belt and to me that's worth the initial higher outlay.
Posted by Marc Adamus on August 20, 2007 at 3:03 PM
I missed the post here, Juza. My bad. I started a new one and found I'd overlooked this a moment later. Thanks for posting! Mine will be on order ASAP! When nature photography is pretty much your life, 8k is a small price to pay for such things. Think about it - a new car is something we buy every several years at 3 times the price or more. 42oz. is pretty darn heavy though! I'll have to find a way to put up with it.
Posted by Zack Schnepf on August 20, 2007 at 4:11 PM
Ah man, I was saving for a new computer system, but that may have to wait for a while. This is the camera I've been waiting for. I'll just have to save my pennies.
Posted by Kah Kit Yoong on August 20, 2007 at 4:18 PM
Zack, playing with those 21MP RAW files, you'll be wishing for a new computer before time.
Wow Marc...congrats for you next purchase! You are already one of the very best landscape photographers with the 5D...I really look forward to see your new masterpieces with this monster
When nature photography is pretty much your life, 8k is a small price to pay for such things. Think about it - a new car is something we buy every several years at 3 times the price or more
Indeed, that's what I though when I bought the 600 4...these things are a good investment. Enjoy!
Posted by Stan Rose on August 20, 2007 at 11:44 PM
the 43 oz doesnt include the very heavy battery, with that its nearly 4 lbs. If anyone is selling their 5D, im buying! You can hit the stairmaster, im getting older and cutting my toothbrush in half doesnt save me enough weight for where i like to shoot.
21 megapixels sounds very impressive. I believe only Hasselblad is higher. I wonder how high it is possible to go.
Hmmm....if I start saving now I may have enough for a 50 megapixel in about 10 years.
Will
Edmonton, Alberta
Canada
Posted by Doug Dolde on August 22, 2007 at 10:42 PM
This is what I have been waiting for too. It's time to switch from 4x5 film to one of these. I'm on a few waiting lists...but don't worry, I am only going to buy one
Discussion
22 repliesImage sensor: 21 megapixel FF CMOS
File format: RAW (5616 x 3744 pixels, .Cr2 files), sRAW, JPEG
Viewfinder : 0.75x, 100% coverage
Autofocus : 19 cross-type AF areas (the same of the 1D Mark III)
Metering modes: 63-zone TTL full aperture metering. Evaluative, Partial, Spot, Centerweighted
Metering range: EV 0 to 20
Sensitivity: ISO 100–1600 (in 1/3 stop increments), ISO 50 - 3200 in expanded mode
Shutter speeds: 30" - 1/8000, x-sync 1/250
Continuous shooting speed : 5 FPS for 15 RAW or 45 JPEG
LCD monitor: 3.0", 230.000 px with Live View, 140 degrees viewing angle
Storage: CF and SD cards (it supports even 16GB and larger CFs)
Battery: One dedicated lithium-ion battery LP-E4
Weather sealing: yes
Dimensions (W) x (H) x (D): 156 x 160 x 80 millimeters
Weight (Body only): 1205 grams
Price: 7999 US $
Notes: 14 bit ADC, Digic III, live view, anti-dust, shutter durability 300,000 cicles
Technical Details
Effective resolution: Approximately 21.1 million pixels (total pixels: approximately 21.9 million)
Recording pixels: 5616 x 3744
Sensor type: Full-frame CMOS sensor, with primary R-G-B filtration
Pixel size: 6.4 microns square
Lens focal length factor: None (1x)
Imaging processor: Dual DIGIC III image processors
Maximum frames per second: 5 frames per second (fps) at shutter speeds 1/500 second or faster, in all recording modes
Drive modes: Single; silent (single-frame); high-speed continuous (5 fps; adjustable 5 to 2 fps); low-speed continuous (3 fps; adjustable 4 to 1 fps)
Maximum number of frames / burst: JPEG: 45 (full-resolution, Level-8 fine compression); RAW: 15; RAW plus JPEG: TBA
Flash sync speed: Up to 1/250, with EX-series Speedlites
Shutter "lag" time: Approximately 55 milliseconds (from half-way to fully depressing shutter button)
Start-up time: 0.15 seconds
Image type: JPEG, RAW (14 bit); improved A/D conversion to 14-bit processing for 16,384 individual tones
Highlight tone priority: Improve tonal range in highlight areas by approximately 1 stop (C.Fn II-2)
Noise reduction: Long exposures 1 second and longer (C.Fn II-1); high-speed ISO images (C.Fn II-2)
Storage media: Compatible with two card slots and external storage media; CompactFlash (Type I or II, including MicroDrives); SD card slot (SDHC-compatible for 2GB higher SD cards); USB external hard drives (requires optional WFT-E2A wireless transmitter)
Recording options: Multiple media recording options: record to only one memory card; record the same image to both SD and CF card; record RAW image to a CF card and JPEG image to a SD card
New additional features: Files can be automatically written to another media if card beomes full; select different image sizes and save to different media (example: different JPEG sizes); record same image using all three media options, including external hard drive; copy files manually from one card to another, or to connected USB hard drive
Image format options: JPEG (compression adjustable in 10 steps on menu); RAW ("CR2" RAW file format); RAW + JPEG (selectable on rear LCD panel); sRAW ("CR2" small RAW file format; 1 /4 file size of full-resolution RAW, approximately 5.2 megapixels)
Resolution options: Large: 5616 x 3744 (approximately 21.0 million pixels); "Medium 1": 4992 x 3328 (approximately 16.6 million pixels); "Medium 2": 4080 x 2720 (approximately 11.0 million pixels); "Small": 2784 x 1856 (approximately 5.2 million pixels); "RAW": 5616 x 3744 (approximately 21.0 million pixels); "sRAW": 2784 x 1856 (approximately 5.2 million pixels)
Data recording format: DCF 2.0 and EXIF 2.21; EXIF 2.21--applies "Adobe 1998 RGB" color space tag to images
Sound recording: Maximum 30 seconds per sound clip (more than one clip can be assigned to each image)
Folder settings: Create new folder and select on memory card
3-part approach to dust reduction: EOS Integrated Cleaning System; self-cleaning sensor unit--low pass filter in front of the sensor vibrates at a very high frequency for about four seconds to "shake" off loose dust and dirt; occurs on start-up and shut down--can also be activated by user or totally disabled; Dust Delete Data: a test shot is taken and any dust spots are "mapped" and added to each image's text data; automatic removal possible in Canon DPP software; manual: user can lock up mirror to blow off any dust or have service technician wipe sensor clean
LCD monitor: 3.0-inch (diagonal) TFT color; approximately 100% coverage; approximately 230,000 pixels
Playback options: Single image; single image with info and histogram; 4-index or 9-index image; magnified zoom display
Live View type: Electronic viewing of scene, directly off imaging sensor, on LCD monitor
Coverage: Approximately 100%
Metering: Real-time evaluative metering (off CMOS imaging sensor)
Grid display: Two vertical and two horizontal lines; can be turned on or off by user
Aspect ratio: Masking for 6:6, 3:4, 4:5, 6:7, 10:12, and 5:7
PC live view: Enabled using EOS Utility (v.2.0) (use computer monitor as viewfinder)
Shutter speed range: 30 seconds to 1/8000, plus bulb (1/3, 1/2, or full-stop increments when user-set)
Maximum flash sync speed: 1/250 second
Anticipated shutter durability: 300,000 exposures
ISO range: 100 to 1600, in 1/3-stop increments; ISO 50 and 3200 can be added via ISO extension on menu; new ISO safety shift (camera shifts ISO in Tv or Av mode if needed to preserve exposure)
Exposure modes: Manual, Aperture-priority, Shutter-priority, Program, Bulb
Metering: 63-zone metering linked to 19 AF points; Evaluative metering (63-zone, linked to active AF point); Center-weighted metering; Partial metering (approximately 8.5% of the picture area); Spot metering (approximately 2.4% of the picture area); Options: Center only; linked to any of 19 AF points; and Multi-spot metering up to 8 readings
Metering range: EV 0 to 20 (all patterns; at normal temperatures)
Exposure compensation: Possible in any Auto exposure mode; up to +/- 3 stops, in 1/3-stop increments
Exposure bracketing: 2, 3, 5, or 7 shots (selectable with C.Fn I-6); up to +/- 3 stops, in 1/3-stop increments; Standard Auto bracketing, via aperture and/or shutter speed
Compatible flashes: Canon EX-series Speedlites (TTL flash not possible with non-EX speedlites)
E-TTL II: 63-zone metering with EX-series speedlites; evaluative E-TTL flash metering (can be averaged over all 63 metering zones); distance information now used from compatible Canon EF lenses for flash calculations
Flash metered manual: Possible with flash in Manual mode, via FEL button
Flash exposure lock: 2.4% Spot metering of pre-flash illumination
Flash exposure compensation: Possible on body for certain speedlites (up to +/- 3 stops, in 1/3-stop increments)
Flash exposure bracketing: Possible with 580EX II, 580EX, 550EX, MR-14EX, and MT-24EX (set on Speedlite)
Hi-speed flash speed: Possible with EX-series Speedlites, up to 1/8000 second , normal maximum x-sync is 1/300
PC socket: Standard; sync line voltages up to 250v are OK through PC socket or hot shoe
Number of AF points: 45 (inside of ellipse area of focus screen); 19 high-precision cross-type points (require f2.8 or faster lens for cross-type coverage); 26 assists points (require f5.6 or faster lens)
Number of cross-type points: 19 points--any of these can be user-selected with manual AF point selection (high-precision type points; require a f2.8 or faster lens; center point requires f4 or faster)
Focus modes: One-Shot AF (for stationary subjects); AI Servo AF (for tracking moving subjects)
Manual AF point selection: 19 AF points ( default); inner 9 AF points (via C.Fn III 9-1); outer 9 AF points ( via C.Fn III 9-2)
Automatic AF point selection: Possible in both One-shot and AI Servo AF modes
AF On button: AF button on rear of body executes AF and metering; AE Lock button can switch functions with AF On button via C.Fn IV-2-1
Viewfinder coverage: 100%, vertically and horizontally
Eyepoint: 20 millimeters
Magnification: 0.75x
Focusing screen: Ec-C IV (new standard focusing screen); interchangeable with Ec-series screens from all previous EOS-1 series cameras
Diopter: -3 to +1.0 (user-adjustable); further adjustment possible with Eg series diopter lenses
Mirror lock-up: Possible via C.Fn III-14; new: option to have mirror remain up for multiple pictures, until SET button is pressed
Eyepiece shutter: Built-in; activated by lever to right of eyepiece
White Balance modes: Auto (WB is read off of CMOS imaging sensor only); Pre-set (Daylight, Shade, Cloudy Tungsten, Fluorescent, Flash); Custom (reading taken off 18% gray card or white object; up to 5 custom readings can be stored); Color Temperature (range 2500k to 10,000k; 100k increments); Personal WB settings--PC-1 to PC-5 (up to five, created in computer and uploaded into camera)
White Balance compensation: Alter white balance in amber-blue direction, and/or magenta-green direction +/- 9 levels
White Balance bracketing: Alter White Balance in amber-blue direction or magenta-green direction, up to 15 mireds
Picture Style: Allows user to easily adjust the "look" of JPEG images, or RAW files processed with Canon software; six presets: Standard, Portrait, Landscape, Neutral, Monochrome, Faithful; adjustable settings: Sharpening, Contrast, Color Saturation, and Color Tone
Digital terminal: USB 2.0 Hi-speed (Type B port)
Video output terminal: NTSC/PAL
System extension terminal: 15-pin terminal (connects new wireless file transmitter WFT-E2A)
Remote control terminal: N3-type terminal
Custom functions: 57 Custom Functions (personal functions built into Custom Functions)
My Menu: Up to six menu settings can be stored separately for quick access
Battery: Lightweight LP-E4 lithium-ion battery pack
Battery information: Current power source in use (battery, AC adapter, etc.); remaining capacity (displayed in 1% increments, on camera's LCD monitor); current shutter count on this battery charge; recharge performance (displays when battery should be discarded; 3 levels)
Main switch: Three settings: Off, On, and On with Quick Control Dial active
Camera body exterior material: Magnesium alloy
Chassis material: Magnesium alloy, including mirror box
Operating temperature range: 32 degrees to 113 degrees F (0 degrees to 45 degrees C); 85% or lower relative humidity
Dimensions (W x H x D): 6.1 x 6.2 x 3.1 inches (156 x 160 x 80 millimeters)
Weight (without battery or CF card): 41.3 ounces (1205 grams)
Press Release
The new 21.1-megapixel, full-frame Canon EOS-1Ds Mark III digital SLR camera brings the power of Canon's professional imaging excellence and innovation into sharper focus than ever before. While Canon's EOS-1D series has dominated the 35mm-based professional Digital SLR market for the past six years, the new EOS-1Ds Mark III digital SLR takes Canon's pro-digital prowess into and the realm of high-fashion and commercial photo studios where bulkier, medium-format cameras previously reigned.
The Canon EOS-1Ds Mark III's compact, lighter-weight magnesium alloy body is rugged and versatile enough to take out of the studio and into the field. The camera's fast, five-frame-per-second (fps) shooting rate for bursts of up to 56 Large/Fine (21-megapixel) JPEGS or 12 RAW images is unmatched in its class, making it the ideal instrument for capturing the fluid motion and free-flowing lines of location-based fashion photography as well as a wide range of other professional photographic applications.
Revolutionary Resolution
Developed and manufactured by Canon specifically for the EOS-1Ds Mark III digital SLR, the camera's new full-size 36 x 24-millimeter CMOS image sensor offers the highest resolution in its class and is comprised of approximately 21.1 million effective pixels (5632 x 3750) set at a pitch of 6.4 microns. The user can select any one of six recording formats ranging from 21.0 megapixels in Large JPEG or RAW format, 16.6 or 11.0 megapixels in the two medium JPEG sizes, or 5.2 megapixels in the small JPEG or "sRAW" formats. In any JPEG format, the user can set one of ten compression rates for each image size. In sRAW mode, the number of pixels is reduced to one-fourth that of a standard RAW image and the file size is cut in half, while retaining all of the flexibility and creative possibilities associated with full-size, traditional RAW images.
Dual "DIGIC III" Image Processors
Fulfilling the ultra-low noise, ultra-high image quality promise of the EOS-1Ds Mark III Digital SLR camera requires handling the enormous signal processing requirements of the camera's 21-megapixel resolution and top continuous shooting speed of five fps. To accomplish this, Canon has incorporated two identical DIGIC III imaging engines into the camera for parallel (and hence, faster) signal processing. The CMOS sensor reads out to the dual "DIGIC III" processors simultaneously in eight channels. DIGIC III is the next generation of Canon's proprietary image processing engine. This technology ensures the fine details and natural colors of images are optimally recorded and, as an added bonus, is responsible for the EOS-1Ds Mark III SLR's high-speed performance, faster signal processing, and more efficient energy consumption.
Adding to the improved virtuosity of the images captured by the EOS-1Ds Mark III Digital SLR camera is the camera's 14-bit Analog-to-Digital (A/D) conversion process. Able to recognize 16,384 colors per channel (four times the number of colors recognized by the EOS-1Ds Mark II Digital SLR camera's 12-bit conversion capability), this line-leading model is able to produce images with finer and more accurate gradations of tones and colors. Additionally, given the significantly larger image file sizes created by the EOS-1Ds Mark III Digital SLR camera, Canon has provided compatibility with the new Ultra Direct Memory Access (UDMA) compact flash memory card specification, which enables ultra-high-speed data transfer to the card. Utilizing a UDMA compliant card doubles the data transfer speed compared to a conventional memory card, putting the new EOS-1Ds Mark III on par with the 10.1-megapixel EOS-1D Mark III camera, even though the pixel count of this new model is more than twice as large.
Advanced Autofocus Technology
The EOS-1Ds Mark III autofocus system--first introduced earlier in 2007 on the EOS-1D Mark III Digital SLR--has 45 AF points including 19 high-precision cross-type points and 26 Assist AF points. This new array allows the 19 cross-type points to be divided into groups of nine inner and nine outer focusing points plus a center point, which makes picking an individual focusing point much faster and easier than going through all 45. During manual AF point selection, the AF point area is expandable in two stages via Custom Function control.
At the request of sports and wildlife photographers, a new micro-adjustment feature allows for very fine changes in the AF point of focus for each lens type in use, along with the addition of adjustable focus-tracking sensitivity as another sophisticated new AF feature. Other new components in the AF system include the reconfigured concave submirror and the secondary image formation lens, both products of Canon's vast expertise in optical engineering. Finally, the low-light sensitivity of the new AF sensor has been doubled to EV-1 for superior performance compared with earlier EOS Digital SLRs.
Live View
One of the dynamic innovations incorporated into new EOS Digital SLRs--and optimized for professional shooters on the EOS-1Ds Mark III digital SLR--is Canon's Live View shooting mode, which provides photographers with an expanded and exceedingly convenient set of shooting options beyond the conventional SLR through-the-lens viewing. Framing and shooting subjects using the camera's LCD screen affords the shooter the same 100 percent field of view provided by the optical viewfinder--this is a full-frame Digital SLR after all--but Live View has the added advantage of allowing the image to be more easily composed on the camera's bright and brilliant 230,000-pixel, three-inch LED screen. Additionally, the LCD-viewed image can be magnified by five or ten times in order to ensure that the shot is optimally focused.
Live View is at its best during tripod shooting, particularly for close-up photography where precise focusing is imperative. As a side benefit, the Live View shooting mode helps to reduce vibration by lifting the reflex mirror out of the optical path well in advance of the exposure, improving image quality at slow shutter speeds. Additionally, as the release time lag is miniscule, even instantaneous movements like a bird taking flight can be readily captured. The shutter charge sound can be delayed and made quieter than normal in Live View mode to avoid spooking wildlife or disturbing people nearby with unwanted camera sounds.
If a user is going to be several feet away from the camera, such as in some studio settings, the EOS-1Ds Mark III can be connected by cable to a computer via its USB 2.0 High-Speed interface. The camera can also be operated remotely at distances up to 492 feet with the assistance of the optional Wireless File Transmitter WFT-E2A, which allows users to view images directly off the camera's sensor in virtually real time, with the ability to adjust many camera settings quickly and easily.
Viewing Display
Easy to read, even in outdoor conditions such as bright sunlight, the EOS-1Ds Mark III Digital SLR camera features a three-inch, 230,000-pixel wide-angle LCD display screen. The TFT color liquid-crystal monitor features seven user-settable brightness levels and a wide, 140-degree viewing angle, both horizontally and vertically. An added advantage of the large, three-inch display size is the ability to utilize a larger font size for text, making it easier to read setting and menu options on the screen.
Canon extends its "ease-of-reading" policy to the EOS-1Ds Mark III's viewfinder as well. Bright and clear with zero distortion, a 100 percent picture coverage, and a magnification factor of .75x, it is the finest viewfinder ever placed in an EOS camera.
EOS Integrated Cleaning System
Another first for a professional digital SLR of this caliber is Canon's complete dust management solution, called the EOS Integrated Cleaning System. The new CMOS image sensor is designed with a lightweight infrared absorption glass cover that vibrates for 3.5 seconds when the camera is turned on or off. This brief delay can be cancelled immediately upon start-up by pressing the shutter button half way. Dust that has been shaken or blown loose of the sensor is trapped by adhesive surfaces surrounding the sensor unit housing, preventing the problematic particles from reattaching themselves to the filter when the camera moves.
Like its sibling, the EOS-1D Mark III, the shutter of the EOS-1Ds Mark III Digital SLR camera carries a durability rating of 300,000 cycles and, though it generates less dust, still charges itself three times during the manual cleaning process so that dust is shaken off the shutter curtains as well. This cleaning system uses very little battery power and can be turned off in the custom function menu.
The second part of the dust management system is a software solution that maps the location of any spots that may remain on the sensor. The mapped information is saved as Dust Delete Data and attached to the image file. Subsequently, the offending dust information is subtracted from the final image during post processing, using the supplied Digital Photo Professional software.
Rock Solid Reliability
The entire body of the EOS-1Ds Mark III, including its internal chassis and mirror box, is made of an advanced magnesium alloy for exceptional strength and rigidity. Comprehensive weatherproofing at 76 locations on the camera body ensures superior reliability, even when shooting in harsh environments. Together with the 300,000-cycle shutter durability rating, these features result in a camera that, even though it is six ounces lighter than the EOS-1Ds Mark II, can truly withstand even the most severe shooting conditions.
Improved Software
Among the most valuable features of the EOS-1Ds Mark III Digital SLR is its compatibility with Canon's new Picture Style Editor 1.0 software. With PSE, photographers can personalize the look of their photographs by inputting their own preferred image processing parameters, including custom tone curves. The EOS-1Ds Mark III Digital SLR also ships with the latest versions of Canon's powerful software applications, including Digital Photo Professional 3.2 and EOS Utility 2.2, which support the camera's Remote Live View and Dust Delete Data functions, as well as incorporating a broad range of additional improvements designed to improve image quality and speed up workflow. Particularly noteworthy in DPP 3.2 is a new Lens Aberration Correction Function that corrects various image defects such as chromatic aberration, color blur, vignetting, and distortion. Initially, the Lens Aberration Correction Function will support images captured by the EOS-1Ds Mark III and 11 other EOS Digital SLRs using any of 29 individual EF and EF-S lenses. Also included are ZoomBrowser EX 6.0 and ImageBrowser 6.0 for easy browsing, viewing, printing, and archiving with compatible computer operating systems, including Microsoft Windows Vista and Windows XP, as well as Mac OS X.
Canon EF 14mm f2.8L II USM Lens
Designed primarily for discerning landscape and architectural photographers, the Canon EF14mm f2.8L II USM lens is ideally suited to the EOS-1Ds Mark III's full-frame capability. Measuring 3.7 inches in length and weighing in at under 23 ounces, this ultra-wide angle L-series prime lens is well corrected for rectilinear distortion, provides a 114-degree diagonal angle of view, and delivers high-speed autofocus with higher image quality overall including superior peripheral image quality, compared to its predecessor, the stalwart EF 14mm f2.8L USM lens.
While its large diameter, high-precision aspherical and UD elements, optimized lens element positioning, and flare and ghost-reducing lens coating ensure that this lens delivers the top optical performance in its professional class, Canon has added other features photographers have been asking for--improved dust and water resistance incorporated around the mount, switch panel and focusing ring, and a round aperture that creates a nice background blur and makes it easier to recognize an out-of-focus scene in less than brightly lit conditions. Furthermore, Canon has created a new lens cap specifically for the EF 14mm f2.8L II USM that is held to the lens by a stopper.
Is that an official release or did you find this on amazon.com (that's the only place where I've seen this so far)?
Basil
it is from amazon - but it is way too detailed to be a fake, and Amazon is a serious website :-)
PS good man Juza...
amazon listed Sept 20 for the 40D, Nov 10 for 18-55 IS and 14 2.8 L and Dec 10 for 1Ds III
-PB
The good thing about this is the flood of used 1Ds Mk2s hitting the market over the next few months.
Stop global warming... recycle a camera
Catch 22 and comments about how to avoid it (but stay in the game) would be welcome.
Cheers
T
Indeed, that's what I though when I bought the 600 4...these things are a good investment. Enjoy!
Hmmm....if I start saving now I may have enough for a 50 megapixel in about 10 years.
Will
Edmonton, Alberta
Canada