Dunno what you think about the color and composition.
The corrections were pretty heavy on the photo as it's taken at 30000 feet through a plane window with irisation and some kind of weird color polarization/distortion.
I took a set of photos, all of them needing lots of correction, the hopeless ones converted to B&W here:
Posted by Eric Good on February 7, 2009 at 11:59 PM
Color and composition work well enough. I'm particularly drawn to that well lit section in the ULC. It almost looks like a piece of the image has been torn away to reveal another image underneath. Kind of different and interesting. I might try a local color adjustment to minimize that green color cast in the LRC, but other than that the colors look good to me.
Posted by Dan Truong on February 10, 2009 at 2:59 PM
Interresting how different people process an abstract photo to generate their impression. :)
There's a famous photographer who shoots for Air France magazine, who specializes in aerial views (great job for him). Every time I see his pics I'm amazed, which is why I want to cpture my own little modest version.
The green is part of the landscape, and that's why I shot the frame like that. Part of the amazing thing of flying over snowy rockies is all the terrain and color transitions that happen. Sometimes unexpected ones.
However, the problem is that the window made the colors shift to unnatural tones that were hard (and sometimes impossible) to readjust.
Discussion
2 repliesDunno what you think about the color and composition.
The corrections were pretty heavy on the photo as it's taken at 30000 feet through a plane window with irisation and some kind of weird color polarization/distortion.
I took a set of photos, all of them needing lots of correction, the hopeless ones converted to B&W here:
Photo set
There's a famous photographer who shoots for Air France magazine, who specializes in aerial views (great job for him). Every time I see his pics I'm amazed, which is why I want to cpture my own little modest version.
The green is part of the landscape, and that's why I shot the frame like that. Part of the amazing thing of flying over snowy rockies is all the terrain and color transitions that happen. Sometimes unexpected ones.
However, the problem is that the window made the colors shift to unnatural tones that were hard (and sometimes impossible) to readjust.