Posted by Mel Ladewig on September 15, 2010 at 1:16 PM
I've shared some of these images here and on ESS, but I thought I'd put them all together in one thread. The summer this year went by so fast for me, and I really didn't get much opportunity to enjoy it in the mountains. I had an opportunity for a quick overnight trip in July and I was fortunate to have nice light in the morning and evening.
So, in no particular order, welcome to the Upper Mohawk Lakes Basin
Posted by Mel Ladewig on September 15, 2010 at 1:25 PM
Portrait of a Columbine
4X5 Provia 100F, Schneider Symmar-S 150/5.6, f22, 1sec, light bounced off the white side of my darkcloth.
I had to wait a long time for the wind to stop moving these flowers down by the lake. This resulted in some minor light leaks and a slight crop from the ideal framing.
Posted by Mel Ladewig on September 15, 2010 at 1:27 PM
Finally a shot of the Upper Basin at sunrise on two different films. This one is the new Ektar 100.
Posted by Mel Ladewig on September 15, 2010 at 1:29 PM
This one is Fuji Pro 160C. The Ektar shot has far higher contrast, less grain and is sharper, but I liked the way the clouds lined up for this shot on the Fuji offering.
4X5 Fuji Pro 160C @EI100, Schneider Super Angulon 75/8, 3 stop soft GND, f32, 1 sec
That's all for now.
Posted by Todd Caudle on September 15, 2010 at 2:13 PM
"Alpine Morning" and second to last are really fantastic, Mel. Last one's great, too, but I prefer the one before it.
Posted by John Mumaw on September 15, 2010 at 3:05 PM
'Fading Light...' is an outstanding composition with some sweet and subtle light.
Both flower portraits are crisp and beautiful. I much prefer the composition and tighter field of view of the cropped version as presented here over the uncropped version you linked to.
Finally, while I slightly prefer the clouds in Upper Basin #2, I greatly prefer the luminosity (esp. in the waters) of #1.
A fine summer series!
.
Discussion
17 repliesSo, in no particular order, welcome to the Upper Mohawk Lakes Basin
Old Man of the Mountain and Pacific Peak.
4X5 Velvia 100F, Fujinon 125-NW, 3 stop soft GND, rear tilt, f32 1 sec
4X5 E100VS, Schenider Super Angulon 75/8, 3 stop soft GND, f22, 4 sec
The full version I intended to link is here. This version is cropped, but met the NPN size requirements.
4X5 E100G, Fujinon 125-NW, 250mm draw, f22, 1 sec
4X5 E100G, Schenider Super Angulon 75/8, 3 stop soft GND, f32, 1 sec
4X5 Provia 100F, Schneider Symmar-S 150/5.6, f22, 1sec, light bounced off the white side of my darkcloth.
I had to wait a long time for the wind to stop moving these flowers down by the lake. This resulted in some minor light leaks and a slight crop from the ideal framing.
4X5 Ektar 100, Schneider Super Angulon 75/8, 3 stop soft GND, f32, 1 sec
4X5 Fuji Pro 160C @EI100, Schneider Super Angulon 75/8, 3 stop soft GND, f32, 1 sec
That's all for now.
Both flower portraits are crisp and beautiful. I much prefer the composition and tighter field of view of the cropped version as presented here over the uncropped version you linked to.
Finally, while I slightly prefer the clouds in Upper Basin #2, I greatly prefer the luminosity (esp. in the waters) of #1.
A fine summer series!
.
I hear ya on the summer went fast. Seems like I hardly got out this summer.