For those interested it looks as though Fuji is starting to ship the 20 sheet per box standard loads of Astia, Provia, and Velvia 50. This of course was Fuji's plan after dropping all QL's. I just noticed this at Badger this morning. Badger 4X5 Film
That's good news, Paul. I've gotten used to doing the cut sheet thing, but I do miss QL's, though. There are still some available at B&H, but the prices are outrageous, so I'll stick with cut sheets. I'm saving my remaining QL's for those times when they are really needed.
Yep, I've enjoyed snapping up some QL's recently, but the price has been, well, pricey.
But, as time goes by those products are becoming less and less. In fact, B&H has no Velvia 50 listed at all today, both QL's and cut sheets. My take is they are probably receiving their first shipments of 20 sheet boxes and maybe in the process of updating their site as a result. I was never much for the cut sheets beyond obviously the price over QL's, but there will be no option going forward on that media I'm afraid.
Posted by Dan Borzynski on October 27, 2010 at 6:25 PM
I also noticed that the 160S (negative film) has been discontinued by Fuji.
The films are also being shipped in 20 sheet boxes. The 50 sheet boxes seem to have disappeared from the market. Anyone know what is up with that??
Dan, this is just a guess on my part, but others have said similar things in various forums. It might have something to do with expiration dates overall. The turnover seems more rapid in the 20 qty. The QL's seemed pretty popular in the 20 sheet boxes impart for that reason. Overall the 10 sheet boxes were a true waste of time with additional packaging and landfill waste. It's been years since I've used cut sheets, but recall only buying in the 50 sheet boxes back then, which did seem to work well IMO.
Posted by Kent Staubus on October 29, 2010 at 11:38 AM
After a four year pause, I have brought my Shen Hao 4x5 out of retirement and began shooting it again this month. I've only been using Ilford HP5 though. Once again I am dazzled by the fine detail I'm getting. I'm currently looking for a vintage 1850-1880 lens to start using. So far I've not wanted to shoot any color film. The guy on the phone at B&H told me there seems to be a renewed interest in b&w film this year. I'm hoping that film choices don't decrease much more than they have.
The only downside to the old lenses is the lack of a shutter. They can render some beautiful looks if you can deal with no shutter.
I have an old Wollensak Verito from the 1920's, but it is shutter mounted.
Harley
Posted by Kent Staubus on October 29, 2010 at 11:25 PM
Harley--
I think I've figured that one out. In winter, I mostly shoot at night anyway. I've found I'm very comfortable out in the dark, alone. I've been doing a lot of that in the past 3-4 years. I can shoot ISO 100 film and stop down a little if needed. Exposure will be in seconds, which I can simply count off and use the "hat" method. Oh great. Now I need to buy a Civil War era black wool cap too.
From earlier this month, Union Pacific 3985 going through Holden, MO doing ~70 mph: http://flic.kr/p/8JUeNk
Discussion
8 repliesBadger 4X5 Film
--P
But, as time goes by those products are becoming less and less. In fact, B&H has no Velvia 50 listed at all today, both QL's and cut sheets. My take is they are probably receiving their first shipments of 20 sheet boxes and maybe in the process of updating their site as a result. I was never much for the cut sheets beyond obviously the price over QL's, but there will be no option going forward on that media I'm afraid.
The films are also being shipped in 20 sheet boxes. The 50 sheet boxes seem to have disappeared from the market. Anyone know what is up with that??
Kent in SD
Take a look at the Large Format Photography forum. There are guys over there who are nuts about the old lenses.
Also, take a look at the Large Format Info site for all thing LF.
It's good to see another photog return to the dark slide.
--P
The only downside to the old lenses is the lack of a shutter. They can render some beautiful looks if you can deal with no shutter.
I have an old Wollensak Verito from the 1920's, but it is shutter mounted.
Harley
I think I've figured that one out. In winter, I mostly shoot at night anyway. I've found I'm very comfortable out in the dark, alone. I've been doing a lot of that in the past 3-4 years. I can shoot ISO 100 film and stop down a little if needed. Exposure will be in seconds, which I can simply count off and use the "hat" method. Oh great. Now I need to buy a Civil War era black wool cap too.
From earlier this month, Union Pacific 3985 going through Holden, MO doing ~70 mph:
http://flic.kr/p/8JUeNk
Kent in SD