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Matte paper question

Discussion

13 replies
Posted by Harley Goldman on May 29, 2006 at 8:55 PM
I currently print on an Epson 4800 using Moab Entrada Natural. I love the printer and the paper. However, the paper renders some images way too warm and I have had trouble properly correcting it in Photoshop in a way that makes me happy with the results. I use Epson Enhanced Matte as my proofing paper and those warm images look fine. Any recommendations for a high end archival paper to use on those occasions where the Entrada Natural is too warm (emphasis on archival paper)? I assume I will need a paper with optical brightners??
Posted by Guy Tal on May 29, 2006 at 8:59 PM
Harley, this sounds like more of a profile issue than a paper issue. You may want to invest in a custom profile if you like the paper otherwise and plan to use it for much of your work.

Guy
Posted by Bill Chambers on May 29, 2006 at 9:47 PM
Harley, I was having the exact same issue with Entrada. The Moab profiles didn't provide any help at all. I finally ended up getting a custom profile through Chromix ($99). That solved my problem - in addition Chromix was very helpful and easy to deal with. They do guarantee their profiles as well, so if you're not satisfied they will work with you until you are. I use the Epson R2400.
Posted by Harley Goldman on May 30, 2006 at 11:23 AM
Thanks for the replies. I will look into Chromix. Good people. I bought my monitor calibrator and my LaCie monitor from them. Very easy to deal with.
Posted by Michael E. Gordon on May 30, 2006 at 11:38 AM
Harley: Moab Entrada and Hahnemuhle Photorag (my paper of choice) are both warm papers, even if the Photorag has OBA's. A profile will go some distance, but you might also need a more neutrally white paper (hold Epson Enh. Matte and your Entrada paper side by side and you'll immediately notice the distance). Moreover, Epson's black inks are also a little on the warm side. I run MIS's Eboni black in place of the Epson black for this reason. It's a very marginal improvement, but a more neutral black also gives the visual impression of deeper dmax.
Posted by Rod Barbee on May 30, 2006 at 2:40 PM
You may want to take a look at Cathy's Profiles. I think they're $40 each and she does a great job.
Posted by Bill Pelzmann on June 1, 2006 at 5:53 PM
Harley, are you avoiding Entrada Bright because of archival issues?
I know it doesn't have the longevity of their Natural, but I don't know the difference in years rated.
Posted by Harley Goldman on June 1, 2006 at 10:50 PM
Bill,

I have avoided the Bright due to longevity concerns. I was hoping to avoid papers with brightners unless that turns out to be the only solution. I talked to Chromix. They will do a custom profile for me and it is guaranteed. If it doesn't solve the problem or I am not happy with it, they will refund my $.

Do you use the Bright? The Natural? If you do, what do you think of them?
Posted by Bill Pelzmann on June 1, 2006 at 11:03 PM
Yes, Harley, I use both, depending on the image - with Moab profiles.
In most cases I prefer the Bright.
Since I don't sell my images, the archival specs are not that critical.

My biggest issue with both papers is their tendency to flake.
I wipe the surfaces with lint-free tissue prior to printing (Epson 2200).
This helps, but does not eliminate the problem entirely.
Have you encountered this?

Let us know how you like the Chromix profile.
Posted by Michael E. Gordon on June 2, 2006 at 12:00 AM
Harley: OBA's do not necessarily reduce the life of the print. The possibility exists for minor yellowing over time, which I have yet to hear anyone report occuring. Minor yellowing on a warm paper might not even be noticeable.
Posted by Harley Goldman on June 2, 2006 at 10:07 AM
Bill,

I have had almost no issues with flaking. I use roll paper exclusively. I am not sure if that makes any difference, but I think I have only had to toss 1 print due to flaking. From what I read, that is a serious problem with the Hahnemuhle Photorag .

Michael,

Thanks for the input. I think I will try the Chromix profile. If that does not do the trick, then I will try some of the Bright on the images giving me problems.
Posted by Michael E. Gordon on June 2, 2006 at 11:45 AM
I am not sure if that makes any difference, but I think I have only had to toss 1 print due to flaking. From what I read, that is a serious problem with the Hahnemuhle Photorag.

I'm not sure how these stories get propagated. I've been using Photorag exclusively (as my matte paper) for 4+ years (in 188gsm, 308gsm, and Satin) and flaking has NOT been an issue. I do unroll as many inches as I'll need for a print, dust it with my anti-static brush, and then roll it back up. I have never even seen flakes in the box or bag (in roll form). I cannot say the same about Moab Entrada (althought I did only test a box of cut sheets).
Posted by Harley Goldman on June 2, 2006 at 12:00 PM
Michael,

I have read about the flaking in several different paper reviews. For example, here is a article reviewing all different kinds of papers. In his review, he states that H-Rag has definite flaking issues. He recommends wiping it, blowing it off and states it still flakes a little.

http://www.cjcom.net/articles/digiprn5.htm

Posted by Michael E. Gordon on June 2, 2006 at 2:09 PM
I cannot dispute what Clayton says, although he's a prodigious and notorious sampler of papers, so I'm not sure he's ever used any one paper long enough to really know it's characteristics. I can only reiterate that it has NEVER been an issue for me. Perhaps I am doing something right?? :wink:

Another thought: I'm pretty sure Clayton prints only on desktop printers, and cut sheets (regardless of brand) will always be more prone to flaking if not well treated.