Green Heron
by Richard Ditch
Green Heron (Butorides virescens)
Place: Gilbert Water Ranch, AZ, USA
Date: December 21, 2009
Equipment: Nikon D200, Nikkor AF-S 300/2.8, TC20E (2x), G1325, RRS BH-55, Sidekick
Exposure: Aperture priority matrix metered, ISO 400, 1/40th sec @ f/5.6
Raw, PS CS3 on G4 Mac, moderate crop
Taken on an overcast day with low light conditions. As is typical for my bird photos this shot is as much about the setting and habitat is it is about the heron.
Honest critiques requested; all comments appreciated. I hope you will view the larger imager for maximum impact.
Comments
18 commentsI like the habitat a lot however, I do find compositionally that my eye is being pulled in many directions. The upper 1/3 of the photo has my eyes moving from left to right following all of the intricate weavings of the vegetation. The heron pulls my eye to the right of the photo, and the parallel branches in the water grab my eye and move it toward the LLC. Certainly this is just my opinion, and the only real "solution" to this would have been getting it from a different angle which may have been impossible to do - or perhaps a head turn toward the camera would keep my attention a bit better. That said, I like this better than a Heron on a Stick shot
- Luke
cheers
Rob
Secondly, I don't want anyone to think I'm being defensive but I want to address some of the specifics in the comments. Please don't stop giving your honest responses on this or any other of my images!
I didn't expect much at all when I took this, and I'm surprised by how it looks finished and how much I like it. It was dark by AZ light standards, and it was unusual for me to be at the Water Ranch on an afternoon instead of my usual dawn visits. This was taken at 4:35 pm, about an hour before sunset. I only took about 45 shots over the 2-3 hours I was there, and I only kept about 20 after my edit. But I ended up with three shots (of three species) that I'm pleased with from these 20 frames.
I too would prefer less texture showing in the background bushes at the top of the frame, but there was no other option at the time of shooting. This is a narrow "channel" between a small island of dense brush and the edge of the pond, and there is only one spot where there's a place to view the channel. Its a steep bank down from the main path, so that's why my angle is what it is here. This was taken with the lens/converter wide open at f/5.6 so I couldn't get less DOF to blur the background.
I don't think I had enough DOF to get the face/bill as sharp as the rest of the bird. I decided to apply no sharpening of any kind to this before posting (Usually I do selective smart sharpening to the main subject) as I didn't like what I saw when I tried it. One of the aspects that appeals to me the most with this image is the painterly feel it has, and I think part of that comes from overall soft look from the very soft light and the water. Sharpening seemed to destroy that for me so I left it as is.
I agree that there's a lot going on here, but personally I don't see that as a negative for the image. I like complicated settings and images, and I don't believe that an image needs to "pop" or have an instant "grab" for it to be a good image. Those factors might be important for contests or other venues where you need to make a strong immediate impression on the viewer, but that's seldom my style of photography. I'm more the contemplative type. My wife compares this to Robert Bateman's style of painting, by the way.
Perhaps, but that's something else I don't find necessary for a successful image, and I sometimes show my subject looking into the setting.
This is about the limit of how much I am comfortable in a crop - this is 65% of the full frame and taking off any more would be limiting what I could do with the image.
but I also think that taking some off the top would unbalance the composition and would destroy some of the depth of the image, so I decided that I'd live with the distractions at the top.
Yes!
Again, I'm using the comments as an excuse to talk more about this image, and I'd enjoy any additional dialog on any of these points anyone cares to pursue.
I like that the bird's head is turned slightly away from you, it indicates that this heron was comfortable in your presence and was content to do what ever it felt like. At this angle I can see the eye, the nice details in the bill and head.
The water color is gorgeous and compliments the color of the bird very nicely.
I find the setting here quietly appealing, it is a wonderful example of the type of habitat this species would be found in. I don't mind the tangled vegetation in the background it is OOF enough that I don't find it distracting and the complexity of the background seems to accentuate the simplicity of the foreground.
I love the fluffed up pose and find the image very peaceful and relaxing to view and that the included habitat simply adds to that feeling.