Pink Lilies
by Pat Sampson
Tried for some eagle shots today with absolutely no luck. These lilies are a lot more stationary. I realize this is a strange comp but I decided I liked it.
Nikon D700
Zeiss 50 mm
approx. f/18
RAW, Lightroom II, CS4, MacBook Pro, tripod, release, MacBook Pro 17
Comments and suggestions welcome.
Pat
Comments
26 commentsAlbert Darmo Canada
With regard to the tightness on the right, this is a crop and I was trying to get in tight on the flower while preserving the 5:4 aspect ratio. For whatever reason, the tightness there doesn't bother me but I appreciate the comments and will add some canvas, if I ever try to sell this.
Ken,
You read light well. I don't really know what my exposure was on this and since the Zeiss doesn't couple electronically very well with the Nikon I can't get the metadata. I did shoot this in low light with the blinds drawn over the only direct light source in the room and at least two f/stops of under exposure showing on the comp meter. Some flowers, particularly lilies, seem to glow in those conditions. At some point I'll get organized enough to shoot maybe a Calla in the moonlight coming through the skylight. i think that will be close to perfect lighting for it for my tastes.
Pat
Bob
To retain shot data recorded for the manual Zeiss lens, you do a one-time input of lens details into the Nikon camera. I don't recall all the info that I input into a menu. They have space for up to 3-5 lenses. Once input, then when I place the Zeiss on the camera I select that lens from a menu of those that I had input. When downloading photos onto the computer, you can display the usual data bits...lens, fstop, exposure, white balance, etc. just like the info from auto nikon lenses. Gadz...I still like this shot...good staying power when I like something longer than a week or two. Looks like it was shot under a black-light...long live the 60's-70's!!
Thanks for the info on the Nikon and the Zeiss. I appreciate it. The thing is I don't actually use the technical data for anything. I do look at the exposure compensation meter when I shoot but just to get me in the ball park. With this shot i took the f/stop up as high as it would go and then backed off about 4 clicks under the assumption that I was far enough away from the subject to get the dof I wanted. Then, I just fiddle with the comp, looking at the shot in the screen until I get the exposure that looks right to me. It's pretty natural and completely non technical I think. The only thing i need to know about the photography is that the f/stop ring on the lens controls my dof and that the comp will lighten or darken the exposure. I just play after that.
Thank you for the compliment on the image. I was just thinking much the same about your pick over on photo art.
Pat
Sandy r
I love how the anthers pop on the FG flower. WOW!
Carol
Albert Darmo Canada