I'm sure each and every one of you have experienced a "drive by shooting" - that is in photography terms. You know, you're driving along and you spot something out of the corner of your eye, slam on the brakes and investigate. Sometimes we call it the 60mph rule, or the 35mph rule.... 9 times out of 10, it's never the same once you stop and go look.
Well, two weeks ago in Yosemite the 35mph rule was engaged and I spied this backlit dogwood and had to stop. Fellow NPN'r Kyle Krause and I thought we could work this scene and this was my first exposure on this autumn trip to Yosemite.
I posted a digi-snap version of this in the
CANP IC Gallery if you want to compare. This one has a bit more contrast and the DOF creates a slightly different feel in this one.
I would love to hear your honest thoughts and critiques of this image. Comp, colors, processing, etc.
4x5 V100 Nikkor 210mm f/32 @ 2s
Thanks!
Lon
Comments
56 commentsYou did an admirable job taming the blues in the background cliffs. The color balance in this is spot on.
I think this is one of your very best, and truly captures the essence of trees.
--P
Beautiful. This one is even better than the digital that you posted earlier and at least this drive by was nailed. The darker branches in this version put this image over the top. WOnderful work as always Lon.
Speechless.
Bloody brilliant, Lon.
Brigitte
Guy
Gary.
Nick Bristol
Lone Rock, WI.
Chris
I know what you mean about drive bys. Happens too often. But sometimes you do get lucky, and I think this might be one of those times.
What would Lon do?
Harley
- Dan.
The colors surrounding the yellow dogwood are simply sublime.
Although I do like the contrast in color between the yellow, red, and green -- if I cover up the distant yellow tree, the photo takes on an entirely different feel -- it allows me to further explore the branches of the foreground red trees without constantly getting sucked toward the distant yellow tree.
That yellow tree tends to make the photo seem "grounded" and realistic. However, when I cover it up with my fingers, the foreground red trees give the appearance that I'm looking through a stained glass window. I'm not sure if that's a good thing or a bad thing.
Regarding the tree trunk in the background, that bothered me at the time and still does actually so I'm not surprised that a few of you noticed. I did burn it down some in processing, but don't know what else to do about it. I tried hiding in in the field while composing, but then I lost the positioning of the yellow tree. Oh well.
Ben: Excellent observation! You are right that when I put my thumb over that yellow tree the scene does seem to transform in to stained glass. Very cool.
Detail in the dark trunks. Well, after years of Fuji film and limited dynamic range I guess I've just settled on the fact that I'm not gonna get detail - at least in scenes like this. Which maybe, just maybe, has taught me to see shapes, forms and lines rather than detail.... interesting, I just thought of that...
Kyle: DITTO!
Thanks folks!
Well, amazing in my eye...
Lon, You dah man!
Love it.
Well Done
Balan Vinod