Castle in the Sky
by Andrew Morrill
Just got 9 new drum scans from images I made in 2010 - this is the first. The background rock formations are the east side of the San Rafael Swell near Goblin Valley.
I had intended to shoot in Goblin Valley during this trip, but wasn't really feelin' it - so I went exploring in the surrounding area and found this amazing monument and visualized a panoramic shot. I went back the following morning and was greeted by fantastic conditions. The sun had been up for about 5 minutes, but was behind a thin veil of wispy clouds such that the sun was very dim and very red - creating a wonderful soft warm light.
--- I used a singh-ray polarizer for this to darken the sky (I was facing perpendicular to the sun); I didn't want to use a GND as it could have significantly reduced shadow detail on the "castle". Hoping it doesn't look too weird (I mitigated it as much as I could in processing) - I'm thinking any photographer would notice, but I doubt most people would. What do you think?
I plan on making a very large print (90 inches wide possibly) of this soon and would love any thoughts, ideas, critiques, etc. Thanks.
Definitely need to see the larger version on this.
Walker Titan 5x7, Provia 100F, Schneider 110XL, Singh-ray warming polarizer, drum scan
Comments
18 commentsLike this alot
Peter
Gary.
Chris
I almost missed commenting on this one! This is wonderful! I love the color captured with the earth's shadow and the color gradient in the sky is beautiful.
This should make a beautiful large print. Since you asked, the only suggestion I would have would be some selective contrast increases (read, drop the shadows) in the background mountains. Not so much that the contrast would compete with the castle formation upfront, but just to help a little bit in the definition of the bg landscape. I'm talking subtle. Just the type situation for TK's burn/dodge layer and some luminosity painting. Yeah, that's the ticket.
I hope to see more of those 5x7 scans posted here! Thanks for posting this one.
Lon
Sorry I missed commenting on this earlier; there's a grace and beauty about it that's compelling.
Two technical points: Be careful about printing longer than 80" unless you already know what you're going to do with it -- talk with a framer first. Stock sheets of matboard and backing board only go up to 80" and get exorbitant above that. I've thought about doing a simple hanging with wood strips on the top and bottom for some of my stitched panoramas, but haven't tried it yet. Second (and this is presumptuous of me), if you want some tips on minimizing the polarizer's edge, e-mail me.