Gole di Breggia - 1
by Julian Barkway
The Gole di Breggia is a relatively short gorge in the Italian-speaking Swiss Canton of Ticino. It's notable chiefly for the beauty of the stratified rock formations to be found there.
This image, and the two that follow, were made all in a stretch of the river of no more than 100 metres in length and are presented in chronological order of shooting. This one (and the next) continues my exploration of the suitability of Kodak Portra for this sort of landscape work....
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Ebony 45SU, 120mm with polariser, 2" @ f22, Kodak Portra 160NC
Comments
11 commentsHow would you describe the Portra compared to the other films you have used? (Compared to Velvia and Provia? )
- Dan.
Dietrich, regarding Portra: I like it very much. It has very smooth tonality and great subtlety of colour rendition. The colour-balance does tend towards excessive warmth, however.
Velvia is a film with which I have a love/hate relationship. In situations like this (open shade/blue sky) it's blue sensitivity kicks in and sends the blue reflected in the rock well over the top. Velvia also tends towards an ugly magenta cast. But, in the right circumstances, it's still a great emulsion.
Me and Provia parted company quite a while ago and now I never use it. The colour-balance is far too cool for my tastes.
The water-path leads towards the BG nicely which appears to be a drop off at that point. Looks like the Porta handled the scene very well.
I also agree with your complete outline on some of the Fuji Chromes, as listed in your follow up comment. Conditions vary out there as well as the abilities of those transparencies to meet the challenges.
Peter