Salt Wells II
by Chad Merrell
I had little time to go through some more of my images from the other night. I like this one quite a bit. It addresses much of what was suggested on my last image-most notably the light.
To answer one of the questions, Salt Wells Wildlife Management Area is on the north end of the Great Salt Lake and about 25 minutes west of the Golden Spike National Historic Site visitor's center. There is no cell phone reception out here and the roads can be kind of lonely. Some of the roads can be real tire eaters. My brother was out this way a few years back and ended up with four flat times on his Suburban before he got it home.
f10
1/13 second
67 mm
ISO 100
As always, I welcome suggestions and thank you for taking the time to look and to suggest improvements.
I had a suggestion on trying black and white on my last image. It is something that I have never done. Any suggestions on an on-line tutorial?
Comments
5 commentsI like the setting, the light appears decent, the composition is good. However for some reason it does not all come together for me. Not sure if its the ripple on the water or what. I'd try to work this image in PS. I think you could bring out better color in the sky and water and better texture and contrast in the grass and mountains. Maybe crop some off the bottom to more of a pano.
I think there is something nice here, but I think you need to pull that out of the file to get it into the final image.
Well, it' 9:30 here in the east, and I should be winding down, but I can't because this image makes me think. So please take all my thoughts with a grain of salt and if you disagree just blame it on an old fellow up past his bed time.
My main thought is, what is your subject? Were I standing there it would be the mountains, in which case the river foreground could be viewed as a bit too dominant. Easily fixed by cropping to panorama just below the river bank.
The other option, which I think would be good for a future visit, would be to put a fly fisherman casting from the lower left corner. The fisherman (a cooperative deer, elk, or bear would be even better) becomes the subject and the larger foreground is now essential while the mountains provide a gorgeous background. All kinds of possibilities here.
Having said all that, this is still quite a good photograph as is.