Proboscis Monkeys
by Ashley Vincent
Canon EOS 7D, EF 500mm f/4L IS USM + 1.4x TC @ 700mm, Aperture Priority @ f/8 (1/500 sec), +1/3 EV, ISO 640, Cropped About 5% in Total off the Upper, Lower and RH edges
While the first and last day of my trip to Sabah (Borneo) were on land walking through forested areas, the 3-4 days in between were spent cruising up and down the Kinabatangan River at a place called Sukau. As magical as this experience is, I don't want to give you the impression that we're talking luxury cruise with overhead protection from the sun, deckchairs, and cocktails.
Think more in terms of a smallish wooden boat with an outboard motor sitting low enough in the water for me to easily wash my face in should I so desire, which I never did, as something about seeing Crocs on the banks had me determined to keep every part of me well inside the confines of our comparatively safe floating vessel.
The Kinabatangan River is plenty wide and, while deceptively calm on the surface, has a real powerful current running beneath. For this reason, we'd generally head toward one of a number of tributaries that flow off it, which are much more calm and narrow, allowing one to cruise along in relative stealth mode (our boat also had an electric motor for times like these) affording us the opportunity to get much closer to birds and wildlife without stressing them or scaring them all too quickly off.
Anyhow, on this trip the best sightings we had of Proboscis Monkeys happened to be on the main river, which meant that I was continually having to move around to fire off shots, as it was virtually impossible for the guy steering the boat, good as he was, to keep us from drifting with the current.
Mother Nature was in a compassionate mood though, as She began to lower the sun on the opposite side of the river, which bathed this troop of Proboscis wonderfully golden light, and for all the shots I lost to the movement of the current, I did manage to capture more than a few I'm quiet pleased with, and this is one of those, hope you like it too :^)
Critique and comments always welcome, and thanks in advance :^)
P.S. Although usually I state in the shooting data at the top of my posts what kind of support I used, there'll be a fair number of images from this trip where I won't detail this, for the simple reason that, while in the boat on the main river, I was constantly switching from tripod to handheld, so truth is for many of the main river shots I simply can't remember whether I had support or not.
Chances are for this one I handheld, as I recall experiencing utter frustration with the moving current when trying to line up shots while the lens was mounted on the tripod. BTW, being that the boat was fairly narrow, naturally I was only able to extend the legs to a limited degree, but this was indeed a workable situation while in a sitting position in calmer water more often than not.
Comments
16 commentsVery nice shot - I like the scene a lot. If it were mine I may very slightly increase the contrast on the monkeys only.
Billy
Very nice line up of the subjects as well as the tree and its branch, keeping everything of interest in focus.
The background is a bit busy but not much you could have done about that.
Good job with keeping so much light on the subjects without burning the sky. Is it straight off the camera or did you need to help it up in photoshop?
What a great pose with the adult keeping a firm grip of the youngster, make sure it doesn't fall or run off
Great comp, details, & POV, love those extra long tails too.
Colors look a bit unnatural on this monitor, my only nit.
Well done
Ashley, you know me and I'm always honest in my thoughts, good or bad, but I just feel something isn't quite right, however it's probably just me, I guess you have spoilt us from your previous postings.
TFS
Steve
I have to agree with Howard's assessment of the colours and Steve's assessment of the background, though.
Overall, I find the image looks very "HDR-ish" if you know what I mean? Almost "psychedelic"? The background is most evident of this, as if you used an overdose of Shadow/Highlights correction...
Would you care posting the original out-of-camera shot for comparison?
One other thing I should have perhaps explained was the reason for the mother holding onto her son's (I think it was a male) arm in that way: she was actually in the process of grooming him, not trying to restrain him, and he seemed very relaxed and comforted by it.
As to the post processing, I'm not exactly surprised that most of you expressed similar thoughts, suggesting that perhaps I'd overworked some areas – seeing the original I'm posting up now, no doubt you'll be thinking this all the more. Truth be told, I spent so much time working on this one I can't recall at what stage I introduced those inner halo patterns that I assume most of you are seeing as such distractions in the gaps between the leaves.
You'll also note from the original that a good part of the time I spent on this was in cloning out the twig that cuts right across the little one's face; leaving it there to my mind completely ruined the image. I took numerous shots of the mother grooming her son from every angle possible that the guy steering the boat could manoeuvre us into, but it was simply impossible to catch a shot without that damn twig slicing through one part of the male's head, face, eyes, nostrils, or nose. I chose this one to work on as I felt it would be the easiest to recreate the parts of it's face the twig had obscured.
You might feel I should have explained this before but, aside from my write up already having been quite long, I wanted to see if anyone noticed anything unnatural about the areas I cloned and recreated … perhaps if there hadn't have been so many other things to distract your attention in this image you might have. Then again, I'd be interested to know if anyone can see my cloning work now that I've pointed it out.
Having spent so much time in post processing since my return, and with so many other things I really need to get to work on, not sure whether I want to rework this again, besides which, I still like the zesty punch of the finished version. All the same, I would be interested in any of your opinions on how you might go about processing this image if it were yours, as in time I may decide to give it another shot.
I wouldn't really have seen it (in this resolution at least), even if you had pointed it out originally.
I should put you at work on the lion image I posted a couple of days earlier
When it comes to the background, I'm pretty much a novice when it comes to processing, so I would probably not have done too much about it. Light it up a bit, not to make it too obvious that the monkeys had been lifted would have been all I think. But don't tell anyone it's because of lack of skill
I find lots of appeal in this image, the two tails, the mom or dad holding the youngster's arm, and the tree bark and leaves, and of course the image as a whole. But I've got to ask, is it tonemapped?
Johan: In truth, I only have about six months of experience with post processing (only really started taking my photography seriously eight months ago), so I'm far from expert and still trying my best to make further progress on what at times appears to be quiet a long learning curve. On the odd occasion when someone asks me for advice, ironically (in light of this image!) I always round off anything I say by adding, "Moderation is the key; much of the time you'll find less will in fact result in more." ;^)
Wayne: Love to answer you question, if only I knew what "tonemapped" meant :^.
I have looked at this several times before commenting as I was very unsure about the colours and overall feel as posted.
The repost looks much better, I would use that and redo your excellent cloning, plus perhaps lightening the faces slightly.
I second Ken's suggestion - redo your cloning if you so wish, then just lighten the primates slightly, leaving the BG as is, since it's much more unobtrusive now and the original really did look "tonemapped" (HDR overkill
Morkel: Although Wayne was good enough to send me an email explaining what he meant, thanks also for helping to enlighten me too ;^)