Have been studying
Mapplethorpe's flower images over the weekend. Most of his images include the vase or container and colorful bg. Inspired by his images, I try to combine what I learn in Ikebana with flower portrait using the bougainvillea which i in full bloom from my terrace.
This post is actually taken after an earlier version which I have included below. My wife said that the original arrangement was a little top heavy and so I pruned some of the blooms in this one. The processing and framing are also different. In this one, the gradient is brighter at the top. The second post, the gradient is inverted with bright area near the base which is seen in many of Mapplethorpe's images. Would be interested to hear your views on the gradient.
BTW I am fascinated and pleased about how the bowl turned out in the images.
D90 50mmF1.4 F11 1.3sec tripod. I tried doing a stack but there were artifacts in the Helicon stack for some reason so this is a single shot.
Comments
18 commentsD90 50mmF1.4 F11 1sec. Thanks for looking and C&C appreciated.
I'm not sure where to start. You've certainly captured Mapplethorpe's style - remarkably so, I think.
I prefer the first image in the vertical format. The arrangement in it seems better balanced to me and I like the more prominent shadow. I also prefer the lighter bg. So that's the one I'll critique.
Arrangement - beautifully balanced. I'm not sure about the leaf at the bottom that's blocking the base of the stems. I might consider moving it to the viewers right and giving it, it's own space. I'm also not sure about the leaf at the top. I might clone it out. Shapewise, I don't think this leaf adds anything. I love the S curve of the main stem and the echoes from the subordinate grass and smaller stem. I also like the position of the solid shapes in the image. I think what I like most about it, is the sense of tension against the grace of the lines. It reminds me of a system of lever springs. I like the arrangement a lot.
Container - love the shape and texture of it and the color is perfect for the blooms.
DOF - I wish you could have gotten the Helicon to work. Parts of the image seem soft to be but that may be the light. I'm not sure which.
BG - Love the table and the gradient. There might be a touch more color (pink/red/yellow) in the bg than I'd prefer but I'm not sure of that and for the most part, I think it's perfect. I'd probably spend hours fiddling with it and end up where you already are.
Table - I think the table is near perfect. I also like where you've positioned it in the frame. I suppose it could be a touch higher but I think this position says the image is about the blooms and not the bowl and its shadow.
Lighting - I love the strong shadow of the bowl as well as what appears to me to be a reflection of it on the table. I don't know that the quality of the light is plus for the image but I don't think it hurts it either. So I guess I'm saying I'm ok with it but it's not a strength of the image to my eye. It would be really interesting to me to see this exact still life done in a light box.
Mood - Serene and elegant but alive with a sense of energy provided by the tension in the lines and shapes of the blooms.
Overall Impression - I like it very much. I just expect that you'll get much better at this. Outstanding work.
pat
The colour combo of the bougainvillea and bowl is perfect. The lines are great and the shadow on the table is a real plus.
Great job.
As another image one with no leaves and to only have a single bloom at the base follow by 3 blooms and the next branch up and then 5 blooms at the top might be one to consider.
Not sure why but the eye does go to the bowl. Perhaps an arrangement that is lower so the flowers are more prominent.
What you're attempting is not easy. Keep at it. Maybe the stack will work next time.
Cheers,
Carol
Cheers,
Carol
Pat:
Your critique is so comprehensive and covers every aspect of the image, some I have not even consciously think about. It took me about 2 hours to put the arrangement together and it just looked 'right' to me. I left the leaves on the branches to make the arrangement more natural and to add color but I agree that they can easily be left out. The PP of this image is relatively straight forward compared to what I do with the Sampsonesque style. The thing I struggled with in the PP is the gradient and bg which I think can be improved on. The softness in parts of the flower is due mainly to the light. This was taken late afternoon with thick rain clouds and the setup is quite a way from the right windows.
Bob:
Trimming away fresh flowers sort of go against my instinct and I did resist the idea initially when my wife suggested it. I also remember my Ikebana teacher saying that trimming away flowers is a sign of maturity of the arranger. Trimming down to 1,3,5 may be the ultimate in minimalism and would probably work. I also wish that some of the flowers had opened and the white petals would probably help the image some.
Ken: Yes, the light is from the floor to ceiling window on the right. This was taken in our living room on the glass top coffee table which was placed against the supporting pilar which is about 15 feet from the window. I like the color on the pilar so I could not have moved closer to the window. The lighting improved about 1 hour after I finished shooting when the clouds parted. But by then, I was busy processing the images and did not retake.
Brigitte
Albert Darmo
Take care.