Sacred Passage
by Ben Horne
I first tried to photograph this glow 2 years ago. It was on slide film, and a lapse in judgement caused me to lose the shot. I returned to Zion again this year with this particular shot in mind.
I didn't take notes on the time of the glow 2 years ago, but I was able to figure it out. This is a relatively fast moving glow that ends abruptly when direct sunlight falls on the right wall. In fact, shortly after taking the shot, I was in full sun.
I decided to shoot it on color negative film, which I'm really growing to like. Kodak Ektar handles slot canyon light very well.
I used a normal lens to emphasize the glow. Though it's great to shoot down low with an ultra wide angle lens, I find it's best to use an elevated position when shooting with a normal lens. I used a polarizer to hide the glare in the foreground, but still show the glow.
I did not remove the film from its sleeve when I scanned this, so you'll see some lines down the edges. If I choose to use it in my portfolio, I'll have it drum scanned. Until then, I prefer not to remove it from the safety of the sleeve. :-)
Since this is color negative film, I have quite a bit of tonality in the shadows -- so much that it became a bit of a distraction. I darkened the shadows a bit to restore the sense of contrast. Perhaps too much?
Kodak Ektar 100 (8x10) | 50sec @ f/45 | Nikkor 300mm
Comments
17 commentsThe light and glow of the back wall is just awesome. with the stream and dark side walls of the canyon there is also a nice sense of depth captured here.
Considering you did use negative film with a much better range, I'm almost expecting to see more detail in the dark shadow areas, especially on the left. In your previous version I think the deep shadows worked in creating that mood you were looking for or trying to present. But here, I'm looking for just a little more detail for the simple reason that the left wall occupies quite a bit of real estate. You mentioned darkening in processing so I'm guessing you have some detail that could be brought out. Of course though, this is your image and your vision, so keep that in mind with my comments. It's just what I would do if it were mine. But it's not mine...
Would love to see an 8x10 on the light table one day. Oh wait, it's just a negative.
Lon
Taken into account the expanse of the shadows, I could imagine a bit more details there, especially if you are going to present it as a large print. Otherwise it is really consistent and convincing in my opinion.
Peter
Ed
Nick Bristol
Lone Rock, WI
Chris