Sinuous Sunset
by Ben Horne
I found this cool curve in the dune at sunrise, and figured it would see some nice light at sunset. I spent the day scouting the dunes, then returned a few hours before sunset to setup my camera. I used rear tilt to skew the perspective a bit and allow the dune to fill the composition. This is one of the cool things you can do with large format.
I composed the scene so crest of the dune slid diagonally into the lower left corner. The light was moving very fast, and before I knew it, my foreground light was gone. I shot the photo anyway, and this is what I came up with.
Though it's not what I had originally planned, it was interesting to see the strands of light that extend into the lower right corner.
This image was pulled from my reject pile. I'd be curious what you guys think. I have uploaded a larger version as well.
Fuji Velveeta 50 8x10 | 1 second @ f/45 | Nikkor 150mm SW | Ebony RW810
Comments
19 commentsRegards,
Carol
I would be tempted to warp down the left hillside a hair for more balance. As far as the dark shadows, it works here. I do have to re train my brain to allow for it though...
The mood, the lines, color and composition all done well.
I can't imagine setting up a view camera in the summer with furnace winds (the only time I've been there), I'm guessing the methodical nature of large format shooting in this environment was quite rewarding.
Slowing down and meticulously setting up the shutter release being almost religious...
Love this. The light and color are just beautiful and the composition flows wonderfully. Classic Velveeta in not being able to hold the shadows, but IMHO here is a case where the large empty area of darkness works very well in supporting the image. Most times <we> look for and comment on shadow detail, but there are plenty of situations where no detail works well, and this is certainly one of them.
Reject pile eh?
Lon
Nick Bristol
Lone Rock, WI
Peter