Yin and Yang
Crazy high ISO week continues!
This was a fascinating scene to watch play out. We were in the Khutzeymateen River in northern BC in May 2012 when a female grizzly bear waded in and swam across a narrow channel in the estuary right in front of us. Cubs are great swimmers too, but they often seem much more reluctant than the adults to voluntarily enter the water. In this shot the cubs are battling a major internal conflict - they want to stay with mom but are really, really hesitant to enter the water and swim the channel. The tension of the yin and yang the cubs were struggling with was absolutely palpable - and I think (or hope!) it comes through in this image.
In the minutes leading up to this shot the cubs had searched up and down for some way to cross the channel without swimming, but had come up empty. About a minute after this shot the cubs finally took to the water and about a minute later they were happily re-united with mom!
If you ignore the years of work done by the guides to find this location - and then fight through layers upon layers of government bureaucracy to have it protected as a sanctuary - the biggest photographic challenge in capturing this unforgettable scene was finding enough light to record it. My belief - which I'm sure is shared by most photographers - is that unless blurry shots are carefully planned (like a good motion blur) they are pretty much useless. Simply put, I'd rather have a slightly noisy shot than a blurry one. In this instance that philosophy meant that I would simply let the ISO "float" as high as needed to give me a shutter speed I could hand-hold my heavy 400mm lens at. At the time I was also giving a new camera its first really tough field test so I simply thought "let's see what this pup can do!" It was a pleasant surprise to find out that I could shoot at these kind of ISO's and come away with gallery-quality photos! The rate of technological change in the world of digital photography can be incredibly daunting and intimidating (and expensive to keep up with!), but if you're one to push the boundaries of what's possible with your images, it's nice to know that those advances in technology have real-world consequences and advantages!
Subject: Grizzly cubs (
Urus arctos) dealing with internal conflict!
Location:Great Bear Rainforest, BC, Canada
Camera: Nikon D4
Lens: Nikkor 400mm f2.8 VRII lens - hand-held from floating zodiac. VR on and in "Normal" mode.
Exposure: 1/400s @ f5.6; ISO 11,400. --0.33 stop compensation from matrix-metered exposure setting.
Crop: This is over 90% of full frame
Like almost always, additional details about the image (including processing details) available here:
http://www.naturalart.ca/galleries/latest/.
Comments and critiques welcomed - probably best to view the larger version prior to doing so!
Cheers...
Brad
PS to Gary: Here you go - a horizontal-format image!
Comments
18 commentsYou’ve certainly captured the story very well here as the conflicting desire to join Mom, vs. the cubs apprehension to jump in, is very well conveyed by their body language. I love the framing and especially like the reflection in the water which I think provides a well-balanced symmetry.
As for PP I see that you used Capture One Pro for NR and wonder if you did that in each of the raw variants or just the final image? Either way you’ve achieved outstanding results given the very subdued natural light and the use of an extremely high ISO setting to capture this priceless moment.
Cheers
Rick
Thanks for your feedback...
Yes you would have seen a similar image on CBC's website - I'm on CBC radio's BC Almanac on a quasi-regular basis (next up on March 5th) and every time the host uses one or more images of mine on their website to promote the show. The one on their website was shot at ISO 6400...the shot posted above is more about the yin-yang thing (and shot at a higher ISO).
All exposure variants had the same amount (just the default) noise reduction applied to them during raw conversion in Capture One Pro - no further noise reduction after the exposure variants were blended. Visible noise varies pretty significantly between scene types, with busy scenes almost always showing less noise than "cleaner" scenes. I was actually quite surprised that the water in this scene had virtually no noise in it (before the NR in raw processing). But not complaining...
Cheers...
Brad
D&L
Would love to visit these forests with you one day...
Thanks for all the feedback on this one - very appreciated. This was such an amazing scene to watch play out...good fun. Glad it has "come through" the way I hoped for some of you - that's very gratifying...
Gary - yep, agree with you on the eye, particularly the right eye on the cub on the left. I noticed the slight over-sharpening there after I had posted it, so was too late to adjust...kinda ticked me off, but what the hey...
I faced one interesting conundrum when processing this shot. The green moss on the rocks the cubs were on was SO "electric fluorescent" that if I had left it as seen it would have looked grossly over-saturated. I really debated if I should leave it as it was (because that's HOW it was) or desaturate to fit one most would expect (which is something I normally don't do). But...I gave in this time and desaturated the greens on the rocks by -30 in Photoshop (which - for those who don't use Photoshop - is a HUGE amount).
Cheers...
Brad
Grt, Ingrid.