Dec. 2015 GOTM
by Kathy Barnhart
Winter Song
Snow in Yosemite Valley is a special sight, and though I had travelled there many times, it wasn't until a year ago that I saw the valley covered in fresh snow. Very exciting for me, and I liked this little solo tree as the snow blew and the mist evaporated from the cliffs in the early morning.
Thanks in advance for any comments or critiques.
Canon 5 d, M3, ISO 160, 105mm, f/16, 1/60sec.
With repost, I agree with Lon's assessment of too much cyan, so this is an attempt to correct that.
Comments
27 commentsOH MY! Anyone who knows and loves Yosemite knows that this image is a gift of Yosemite. Winter in the valley, changing and dynamic conditions;fog, mist; light, the place is magical. Only a couple places to get this combo, so I'm guessing El Cap Meadow.
I love this and only wish I had something like this in my portfolio. Gorgeous light, the sun striking the fog lifting off the valley walls and the snow covered pines. Add the little cluster of tiny trees at the bottom really just makes the composition. Great title btw.
I also really like the warm/cool contrast between the bottom and top. However, the snow in the cliff above the trees has a definite cyan cast to it. I would hope you could retain the cool vs. warm, but at least for me the snow up top is too cyan. Otherwise, this is a Yosemite gem.
Just read the other comments and saw the correction. I think there is still too much cyan in bg. I wouldn't warm up the image however.
Nick Bristol
Lone Rock, WI
--P
Thank you for taking the time to rework and repost the image. Actually, it was the background snow on the cliff with the cyan, not the "shadows" per se. It's primarily the snow on the rocks inthe upper section, but also the snow atop the trees just right of middle (the ones still in shadow.)
What I typically do is open a hue/saturation layer (Actually Tony Kuyper's Sat/Vibrance masks) open up one of those and take the cycan layer and start to max it out - that will show you right away the areas I'm talking about. Then you can reduce the cyan gradually to your liking. HTH
Lon
Well done,
Jim
--P
aF
Albert Darmo
Canada
I agree with taking down the cyan in the original version, but leaving the overall warmth as is. Also, I agree with Preston about the white area behind that foreground tree. It appears completely blown out. Any chance there's any detail in the raw file, or another expsosure that has detail? It would really help the image.
Either image works as processed, but I think the original is slightly better with only needing the cyan selected on the hillside de-saturated a bit.
Regardless, you've got the composition so all the post processing can be to your own personal tastes.