Meadow meets Forest +bw
by Lon Overacker
Thank you all for your comments on my previous post.
One of the greatest things about Yosemite Valley is that you can be standing where thousands of people stand and view icon features like Yosemite Falls... and turn around 180 degrees and admire quiet little scenes like this. In fact, unless there's deer in this little meadow, I'd venture to guess that 99% of the people that park in perhaps the largest car pull out in the valley, ever take a glimpse on this side of the road..... but understandably so focus their attention on Yosemite Falls and perhaps a walk to the Merced river on the guided boardwalk. Now I have photographed in this direction many times, in fact have posted images before, but for the first time I actually wandered in to the small meadow for this view. And to complete the view, I actually laid my fleece jacket gently on a few stalks of grass that intruded in the frame... :-)
Would love your thoughts and critiques on this one.
Nikon D800E
Tamron 24-135mm
3-image focus stack @f/14
Thanks!
Comments
17 commentsThis image has a very nice layered look but I am mostly drawn to the background trees. I know you go to Yosemite quite a bit with Preston and Harley. How long do you usually stay during your outings? It is one place I have never been to, but would like to visit in the near future.
Oh, and to answer your question Jim, we usually stay for 3 nights/4 days. For me it's a matter of making my tent camping worth the while. 2 nights is to short and not worth setting up and sleeping on the ground.... ;-) You MUST make your way to Yosemite! Would be happy to meet up with anyone who can make their way. The valley proper and the Tioga Pass area when the road opens, is a boondoggle for b&w photography!
Here's a version featuring more of the trees/forest, and b&w conversion.
Click image for a better presentation
It would be a long ways but I would love to photograph here! Beautiful work!
Nick Bristol
Lone Rock, WI.
I like the B&W. I might work the tonality a bit, perhaps brightening the fore grasses some?
It could be just me, but the color image appears to have a slight CW tilt. Not a big deal, though.
I like the B&W, as well, but I think it needs a bit more of the foreground grass. The tonality in the large version is wonderful.
btw folks: Both versions need to be seen in the large view. The color and tonality in the small versions do not do them justice.
Well done, sir!
Note for Jim: I would certainly be happy to link up with you in Yosemite. I live only a couple of hours north. If you are thinking of going, in my opinion the best time is after Labor Day and before Mother's Day, and avoiding holiday weekends. The Valley is not that big, and it can get crazy there, so off-season is best. Be sure to plan ahead for a campsite or other lodging in the Valley.
As Lon said, the opportunities are vast. If the Tioga Pass road is open, the Yosemite High Country (from Tenaya Lake, up and over Tioga Pass) is requisite.
--P
The larger version looks amazing and the focus stacking gives an incredible sharpness to the whole frame. BTW I also like the BW picture but I love colors more.
The only think that I would try is to crop a little bit the lower part just to cancel the darker part of the grass. This would work if you want a more abstract image based on three layers. Just a minor thing since the image works beautifully as it is.
Ok, this is the longest comment I have ever written in English. I hope I explained it well.
Mattia
I just think whether an even lower vantage point might work as well.
Peter
Lon
It's taken me this long, a week, to fully appreciate this image. I'm not sure why I was so dismissive at first. But this is a fine image that grows on you if you give it time. I think it's the contrast between the two worlds that makes it so intriguing. I really like that you gave the meadow the major part of the space in this image and the tonal values of the grass is just right. Not too contrasty and not too pallid. The texture and curves in the grass give it energy and movement that contrasts to the more rigid vertical trees (although they have their own darker force). I keep wondering whether that one curved sapling in the center is adding or subtracting to the composition. As usual with your images, no perceived cropping seems to improve them; the balance is always right.