Jefferson Birch - RePost
by Harry Lichtman
Large View Included
This image came about through a client request which needed to be 30 ft. x 30 ft. at 250 dpi. Ultimately the image wasn't used as it didn't have an intimate feel one might have if standing within a forest grove, but I figured it might make a nice print for some other application. It consists of 6 images horizontally by 5 rows in the vertical direction. Each image was focus stacked at f16 using a 80-400mm lens at 125mm. The grasses and portions of the trees were a considerable distance apart, so I decided to stack for sharpness throughout. I shot standing atop my subaru so that I wouldn't be shooting up toward the tree tops, and would be able to include more of the tree tops and lower portions where there was some nice foliage. Still conditions and even lighting made the shoot easier than I expected. Finding the right scene for a large tree image in a square-ish format was the real challenge.
I originally included the grasses to create more useable view in the vertical distance and a base for an image. Wondering if I should tone them down, or maybe crop them altogether. Any thought or comments appreciated.
Nikon D810, ISO 64
The web versions seem crunchier than i would have expected, not exactly sure why. Very Minimal web sharpening was applied.
Comments
21 commentsI think I would remove the grass, and possibly a sliver of the green on top as well.
In any event - terrific image!
Sandy
--P
It works for me as a FG/base element for the trees.
Kudos for pulling this off. Not only creating something that could go that big, but also recognizing the scene that really fit the bill. This is a terrific autumn image and would have been awesome with just a single frame (ok, maybe a 2-image focus stack...) ;-)
I'm also torn on the grass, but leaning more to leaving it. Removing it changes the scene too much. I just wish there was a skosh more at the bottom. But I like the notion of a foundation for the scene. Perhaps burning some as you've tried would help too.
I just love the makeup of this scene with the white trunks surrounded by the varying colors and phases of autumn. Great stuff, love it.
Lon
David - While standing on top of my car did allow me to shoot the scene with less distortion, the primary reason was to allow me to photograph low portions of the trees that would have been obscured by the grasses had I shot from ground level. This higher vantage point also allowed less sky, more tree top in the comp. The base of the trees were lower, in a gully compared to the grasses. I will try darkening and adding more grass and repost.
Thanks