Went to the Tetons over the weekend to see all the snow. Looked to me like a brief break in the relentless storms Sun-Mon, and i had high hopes for the sunrise Monday. So, the amazing sunset Sunday took me a bit by surprise, and i had to scramble just to get to an overlook for this shot and about 100 others

Grand Teton stayed obscured, but i cant really complain! Course, next morn when i headed out 2 hours before sunrise, the sky was mostly clear, but by sunrise it clouded back up and it was a total bust...oh well, gotta be thankful for the unexpected.
5Dmkii; 17-40; 1/2s at f/11
C&C Welcome!
Comments
33 commentsLori
Chris
Chris--sunset doesnt give you any direct peak colors, but peak colors often dont coincide with the best sky color, so personally i dont think its that much of a handicap.
Nick Bristol
Lone Rock, WI.
Rick: i thought Chris was joking (?). The reflected pink light on the snow is what attracted me to the scene--its why i kept so much of the otherwise unexciting fg here.
Guy
This goes to show that one must be ready at all times to start shooting.
Nice capture.
Edit: I might have stepped about 40 yards in front of the camera to get a shot of myself staring at the light show…. might have been a cool pic.
- Dan.
Chris
I can't add anything new to the prior comments except to wish that I was standing next to you with my camera clicking too..
A bit torn on this one. The lighting is obviously spectacular, but the pink color cast, although present, is not quite working for me. I think this image strongly represent a challenge we are all up against as landscape photographers. Our eyes to some degree, but our brains and acquired perspectives to a much greater extent, unconsciously correct for color cast. The referenced perspective we have learned and come to expect is, that snow is white(ish). Not a saturated pink. This is not to say it can't visually work presented as pink, it can, we have both seen it.
That said, it seems to now come down to an artistic decision, which we all have to make consciously or unconsciously. How much of the color cast do I leave in to re-create the experience of what we felt, without negating someones natural ability to mentally correct for what they are only seeing and not experiencing.
It is not my intention to trump your image, it is not! There is a lot to like here. I just merely want open a discussion or exchange on the effects of images with heavy color casts. This image seems an appropriate segway into such a conversation. Be interested in your take on this?
Thanks, Shane
First thing i want to say is that when i saw how the light was going, i made every effort to get the color down at the scene---i directly compared what i was seeing on the LCD to what i what i was seeing in reality. The red/pink light on the snow only lasted a couple minutes tops, and the few images i took during that short time were obviously the ones i spent the most time processing--you can see a shot taken just moments before this one (when the color hadnt quite peaked) on my RMNP post, along with other views around that spot. If I had used an Auto WB here, the temp was at ~4000 K and the cast was quite blue on the snow--which is absolutely ridiculous since i was seeing pink/red quite clearly with my eyes, so auto WB was simply wrong. Instead, i used cloudy WB which looked a lot more accurate to me.
Of course I increased the vibrance here from the default RAW, which simply looked like your typical dull RAW file--but i had to reduce red sat by -20 in LR just to control the typical warm clipping you get from the 5Ds. Is some of this artistic license? Probably.
All i can say is I totally understand your comment, Shane--I once tried to convince Floris one of his snow shots was too pink, becuase it looked a bit 'out-there' to me. But ive become more forgiving over the past year or so, as i spend more of my mornings with a camera (and i am NOT a morning person
Nice shot of Teewinot
Our snow pack is 160% of normal. That is why you, I and 100s of others have spent a bunch of time waiting for a bit of the Grand. Still this is a beautiful subset. Pink snow? Snow is only the color that reflects from it, whats the choice here? Going to be clear and near 0 tonight. Ill be out there to see what happens at sunrise.
Thanks for the elaboration of the situation and your thoughts. Your right, in the end it just comes down to weather it works for most of the viewers. I would be curious to see a re-post with 50% reduction of the pink color cast in the FG & MG snow only. Something similar to the snow on the high peak, even a little less though. Don't remove it totally just reduce in that area. Re-post it and see which version folks prefer? I honestly don't know, but I would be interested in seeing the results. This may in the end influence how I process my images in the future.
Thanks for the discussion.
Shane
Shane, thanks, i think its a valuable discussion, so at risk of never selling this print