Lone Tree
by Luke Ormand
I'm going through some images from my spring trip to the San Juan Islands and came across an evening series where I used a CPL and tried to smooth out the water. This is one of my favorites
Nikon D7100 12-24mm @ 12mm on Gitzo Tripod
f/22
5 seconds
ISO 100
Full Frame, adjustments in Perfect Effects 8 and CS5
- Luke
Comments
6 commentsJim
--P
Nick Bristol
Lone Rock, WI
The placement of the tree actually creates a successful tension in an otherwise quiet and peaceful scene. The detail in the foreground with the rock, lichen and sprigs of plants make for a lot to explore. Despite the tree really being squeezed in the corner, this works wonderfully!
Initially I thought about a crop. But now I'm not so sure, but here's my thought anyway. A crop of about 1/4, give or take from the bottom and somewhat less than that from the right. For me at least, this actually creates a tension or dynamic between the tree and now the rock in the water. The details up front are still there to explore and the distant mountains and calmness of the sea still add to the image. I'm more convinced what you have originally posted is the best.
Lon